The Impossibility of Knowing (12)

“The Impossibility of Knowing” series refers to the strength of memory and imagination, compared to what is “real” or “observed.” In these paintings, a solid shape, figure, or silhouette interacts with its mirrored outline: something that seems substantive is augmented with its mirror, shadow, or luminescence. The interplay creates dynamism, as each shape is pulled in its opposite direction.