Abraham's friends (three friends)

Alexander's work, formally viewed from picture to picture, is based on dealing with purely plastic elements of building the picture as a whole per se. They are characterized by varying plans, a sudden jump from one form to another, a dynamization of colors that strives for purely rudimentary sensory stimulation.
The starting points are discarded objects and the creation of their new relations according to the principle of free alternations. I collect various discarded materials, erase their previous meanings, unfold them and rearrange them on the work table, in order to transfer them to the painting. In this process, which occurs automatically, many anti-objects undergo an unconscious, spontaneous transformation. And so, cardboard, plaster, wax objects transferred to canvas under painterly treatment become naturalized and grow into associations of structures of organic origin, building a game on the relation of contrasts: inside to outside, human intervention - nature, suppression and domination.