These paintings revisit the shores of Green Bay, where water, sky, and memory merge. Layers of color and pattern evoke shifting light, wide horizons, and the quiet presence of the landscape. The series reflects both a personal geography and the enduring rhythm of nature’s edge.

Abstract grid works where order and intuition meet. Repeating cells, dots, and pathways suggest maps, constellations, and neural lattices—the structure is felt rather than measured. Each painting invites slow looking as geometry loosens into memory and play.

This series is inspired by the ancient Irish Ogham alphabet, where each letter is linked to a tree. Traditionally carved as marks on stone, these signs become a starting point for abstract paintings that weave in leaves, branches, and natural forms. The result is a visual dialogue between ancestral language and the living presence of trees, carrying the spirit of each into contemporary form.