曲折與吶喊 Twist and Shout

Motif [Haupt der Medusa / Rubens]
從主題來看，佐垣慶多則是個不折不扣的挪用主義者(appropriationniste)，雖然1984年出生的他與活躍於1990年代的前驅如斯圖爾特文(Elaine Sturtevant)或雪莉勒文(Sherrie Levine)等非屬同一世代，但對於藝術史圖像的挪用卻是一樣熱衷。此副原作為魯本斯筆下的蛇髮女妖梅杜莎(MEDUSA)，猙獰而可怕的頭顱，展現出西方藝術史中令人感到威脅的女性形象，致命又引人入勝的畫面。

From the perspective of the theme, Keita is a completely appropriation lest. Born in Nineteen Eighty Four, even though he is not in the same era of the Nineties, pioneer artists like Elaine Sturtevant, Sherrie Levine,Keita surely is as enthusiastic as they were in appropriating masterpiece from art history.The motif of this piece is the grim and dreadful head of Medusa by Rubens. There are a few female images that are threatening, showing the deadly but appealing side of so called Femme Fatale in art history.