The Power Source 女力之泉
- 硬筆,Classico Fabriano紙,木板 pen on classico fabriano paper mounted on board
-
163 x 80 cm
(64.17 x 31.5 in)
- 佐垣慶多 SAGAKI Keita
Motif [La Source / Dominique Ingres]
從形式來看,佐垣慶多這種有無數密密麻麻的細節,或是元素構成整體的方法。繼承自秀拉(Seurat)的點描、塞尚(Cézanne)的建構。米羅(Miró)與波洛克(Pollock)的滿佈式構圖,李奇登斯坦(Lichtenstein)的網點,或是克洛斯那些遠看與近看差距甚大的巨大人像,基本上都顛覆了圖與地的關係,造成錯視,打破觀眾觀看的方法。此件原作為安格爾(Ingres)的《泉》(La Source),展現出西方藝術史中理想的女體形象,將漫畫角色串連成古典名作一般,模糊了高藝術於低藝術的界線。
Formality, this style of composition, with countless parts of elements art, in fact derived from Seurat's pointillism, Cézanne's construction, Miró and Pollock composition.Roy Lichtenstein spends a dot style, or even Chuck Close his giant portraits with different details at close, and distant bloke.They seemed to basically overturned, the idea of thicket ground relationship, making illusions that subvert the way viewers watch. The motif of this piece is La Source, by Dominique Ingres, showing the ideal female body of Western art, Keita Sagaki blurs the boundary between high art and lowered, with his creations, that composing manga characters into the masterpiece.
- Subject Matter: Girl
- Created: 2018
- Collections: 2019-2. My Girl:佐垣慶多來台首展 Keita Sagaki Solo Exhibition, 2019-10 Art Taipei