
DIPAYAN GHOSH
Mumbai, Maharashtra
Abstract artist merging mixed media with cubism and expressionism to portray themes of contemporary societal & geopolitical dilemmas that intrigue people.
MessageCollection: Dasagriva: The Ten Faces of Humanity (c.2024 to c.2025)
Curatorial Statement
"Dasagriva: The Ten Faces of Humanity" is a thought-provoking art series that explores the complexities of human nature through the symbolism of Ravana's ten heads. Each head represents a distinct aspect of human emotions and experiences, drawing parallels between Hindu and Christian philosophies.
"Dasagriva: The Ten Faces of Humanity" is a thought-provoking art series that explores the complexities of human nature through the symbolism of Ravana's ten heads. Each head represents a distinct aspect of human emotions and experiences, drawing parallels between Hindu and Christian philosophies.
The Ten Faces:
1. Matsarya (Envy): A commentary on the destructive power of jealousy and competition.
2. Kama (Lust): An exploration of the human desire and its consequences.
3. Krodha (Wrath): A depiction of the destructive force of anger and aggression.
4. Moha (Delusional Attachment): A representation of the confusion and ignorance that can lead to chaos.
5. Lobha (Greed): A critique of the insatiable desire for wealth and power.
6. Mada (Pride): An examination of the dangers of arrogance and self-importance.
7. Manas (Mind): A celebration of the power of the mind and its potential for growth.
8. Buddhi (Intellect): A representation of the discerning faculty that guides human decision-making.
9. Chitta (Will): An exploration of the human spirit and its capacity for determination.
10. Ahamkara (Ego): A commentary on the role of the ego in shaping human identity.
Seven of them are also described as Cardinal Sins or Capital Vices in Christianity. The Catechism of the Catholic Church also refers to these sins as “capital sins” and explains why they are the most dangerous. “Vices can be classified according to the virtues they oppose, or also be linked to capital sins which Christian experience has distinguished, following St. John Cassian and St. Gregory the Great. They are called “capital” because they engender other sins, other vices. They are pride, avarice [greed], envy, wrath, lust, gluttony and sloth” (No. 1866).
Seven of them are also described as Cardinal Sins or Capital Vices in Christianity. The Catechism of the Catholic Church also refers to these sins as “capital sins” and explains why they are the most dangerous. “Vices can be classified according to the virtues they oppose, or also be linked to capital sins which Christian experience has distinguished, following St. John Cassian and St. Gregory the Great. They are called “capital” because they engender other sins, other vices. They are pride, avarice [greed], envy, wrath, lust, gluttony and sloth” (No. 1866).
Artistic Approach
The series employs a diverse range of mediums and styles, from traditional to contemporary mixed media - paper/fabric/fibre/glass pieces/mesh, to convey the complexity and depth of human emotions through the eye. Each artwork invites viewers to reflect on their own experiences and the universal themes that connect us all.
Curatorial Goals
1. Explore Human Nature: Examine the complexities of human emotions and experiences through the symbolism of Ravana's ten heads.
2. Foster Empathy: Encourage viewers to recognize and understand the universal themes that connect us all.
3. Spark Reflection: Invite viewers to reflect on their own emotions, desires, and experiences, and how they relate to the world around them.
"Dasagriva: The Ten Faces of Humanity" offers a profound exploration of the human condition, encouraging viewers to engage with the complexities of their own emotions and experiences.
The paintings displayed in this portfolio are authentic, original artworks, derived entirely from the observations, imagination, sketches or photographs of Dipayan Ghosh (Artist). The Artist retains all copyright and reproduction rights. The artworks may not be reproduced by any process whatsoever without explicit written consent of the Artist.
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