"Chair I" is a compelling diptych that captures a moment of domestic familiarity through the lens of bold abstraction and sharp formalism. With its striking geometric composition, the artist deconstructs the humble armchair into a symphony of color blocks, angular forms, and layered textures. Planes of cerulean blue, crimson red, and ochre yellow converge and contrast with graphic precision, while subtle painterly gestures soften the rigidity of the architectural lines. The composition, split across two canvases, engages in a dynamic conversation between balance and fragmentation in a visual dialogue that draws the viewer into a space that feels both constructed and intimate.

What elevates "Chair I" beyond simple representation is its deft interplay between presence and absence. The suggestion of houseplants rendered in delicate, almost ghostly linework flanks the central structure, hinting at a domestic setting without anchoring it in realism. This tension between the real and the abstract is emblematic of contemporary minimalism fused with mid-century modern sensibilities. With its refined palette and compositional clarity, "Chair I" transforms an everyday object into an exquisite artwork.