
Diana Atwood McCutcheon
Lubbock, TX
I am a mixed media artist working in Visual Ethnographic research. My interests are anthropology, memory, sense of place, genealogy, and entanglements.
MessageIn considering my motivations for completing a PhD in Fine Arts, there are events in my life that have been influential in my decision to pursue this goal. I grew up with the knowledge that I was adopted in infancy. Being an adopted child/person has led me to a complex understanding of ancestry, which I have attempted to make sense of using both ethnographic and artistic practices.
In fifth grade, I was tasked with creating a family tree in an aesthetically pleasing way. This was the point that I remember first asking the questions, where did I come from? What people and cultures from the past came together to create me? How do we, as individuals, come by the passions that animate our lives? Is this something we are born with, or a result of our enculturation? In my case, my adoptive parents knew that my biological father was a musician, so they put me in music classes, nurturing a latent talent they assumed I was born with. And while I have always gravitated towards the arts—and this orientation can be seen in how I approach scholarly questions—I found my passion to lie in the visual arts.
Art education became my chosen profession. I have always considered myself to be a teaching artist – one who teaches and practices art. Before entering the PhD in Fine Arts program, my professional experience encompassed teaching art at every level in the Texas public school system. This included teaching Pre-K through AP College Board high school classes and all levels in between. At times my classroom included students that had been displaced from their families, homes, or cultures. I taught students that were new immigrants from Mexico, attempting to learn English and fit into their new environment. When hurricane Katrina occurred, there were many students displaced from their homes, and living with relatives or friends. These students found themselves in my art classroom sometimes temporarily and occasionally for longer. As an adopted person, having experienced displacement from my biological family and roots, I was sensitive to the needs of these students. I viewed art as an educational means to aid students during times of stress.
My art practice and the visual creative process helped me work through my own challenges and difficulties. In a span of five years (2008-2013), I experienced a divorce, adjusted to single parenthood, relocated three times, lost my father to cancer, and my daughter was in and out of the hospital with a serious illness. In April of 2013, I was teaching in the town of West, Texas, located just north of Waco. The nearby fertilizer plant exploded and altered my teaching experience in various and dramatic ways in subsequent years. Three of the four school campuses in West were destroyed, and the whole school district went through a displacement. For six weeks, we were housed in an empty building on a campus at the nearby district of Connally ISD. Teaching was adapted to the circumstances, and I saw many new students in addition to students previously enrolled in art. The students’ artwork during this time reflected a self-expression through creativity of processing trauma during this time of adversity.
My interest in art for wellbeing has increased over the years. Visual Journaling has been a personal arts practice for over a decade. Before that, I always turned to creating art and painting as a practice of self-care and healing. I am currently a part of the 4th International Cohort of Soul Pages Facilitator Training, a visual journaling method. Art as self-care, personal resilience, and healing are important tools to access in today's world.
Concurrent with my teaching career and raising three children, the questions of my heritage and biological roots remained a personal interest. By 2013, I had discovered a surname and knew that historically the name was tied to the Isle of Skye in Scotland. When a long-time friend, living in Scotland, invited me to visit her for the purposes of a photography tour, I could not turn down the opportunity. While on the one hand this was a personal journey that I needed for my own restoration—owing to the personal circumstances I was experiencing—at the same time, it began a trajectory for my intellectual interests in place and ancestry. Even without yet knowing that my ancestry was largely from this region, I felt a visceral resonance with place that was triggered by my travel. I suspect others who have been alienated from their heritage through adoption or displacement may feel similarly, which has informed my research questions. Upon returning home from this trip, my curiosity inspired me to take a DNA test. When I received my results, I was surprised. My estimated ancestral percentages were overwhelmingly from the United Kingdom and Scotland, which helped explain my connection to place, particularly in the Hebrides. In addition, I discovered other ethnic roots from DNA matching that I was curious about.
At this point in my life, I had been looking into graduate schools and I desired to obtain a master’s degree. As a single parent, I was motivated to improve myself and my earning potential. It was challenging, because I needed to work full time to support my family, and online programs were rare. Serendipitously, I attended a Texas Art Educator Conference in Galveston, and learned about the Masters in Art Education distance learning opportunity at Texas Tech. I applied to the program and was accepted.
The MAE program gave me an opportunity to learn more about sense of place, global cultures, and new materialisms. I began some experimentation in my artistic practice with mixed media. These interests informed the master’s thesis. When graduation approached, I was not ready to end my educational journey. My advisor encouraged me to consider applying to the PhD program in Fine Arts. I resigned my full-time teaching position and moved to Lubbock with my son in the summer of 2020 during the Covid-19 pandemic. This transition was made possible with scholarships, fellowships, assistantships, and financial aid. I am grateful for these opportunities for growth and learning in my life.
Now that I am completing my PhD Dissertation research, I realize how various elements and interests in life intersect and lead us to new journeys and paths. I look forward to the next phase of my journey as an artist, researcher, and educator in Higher Education.
Statement
I am a mixed media artist working in Visual Ethnographic research. My interests are visual art, anthropology, ethnography, material culture, autoethnography, memory, sense of place, genealogy, and entanglements. My artistic journey into these fields and theories began as an autoethnographic work during my Master of Art Education thesis project.
I was adopted at two days old. I was born in San Antonio, Texas and grew up in Waco, Texas. I am fortunate to have had such a wonderful childhood, and supportive extended family. Due to my lifelong interest in other cultures and people groups, I began to wonder at a very young age what my biological and ancestral roots were. I did not have an opportunity to explore this question until adulthood, and even then I did not have much information to go on.
My first trip to Scotland in 2013 had a long lasting impact on me and on the trajectory of my life and interests. I found evidence of a Scottish maternal name from the Isle of Skye, and that is all the information I had to go on initially. I had previously travelled to Mexico, Canada, and other places in Europe including the UK, but had not been to Scotland. I took advantage of an opportunity and visited a friend living in Scotland. We designed a photography tour of the mainland and the Hebrides. We visited many places, but my most memorable moments were in the Hebrides, and especially on the Isle of Skye. While there, I experienced moments of physical sensations and a visceral connection to the land. These experiences raised my curiosity, and I wondered why I would have these kinds of experiences in these specific geographic locations. Ancestry and DNA testing were tools that aided me as an adopted person. It allowed me to research my genealogy based on DNA matches, and ancestral documentation. Ancestry developed some new technologies in 2012, and I took the DNA test in 2013 after returning home from the trip to Scotland.
After years of research and a subsequent trip to Scotland in 2017-2018 on my own, it became clear that not only was my highest estimated percentage Scottish, but the specific geographic locations where I experienced a connection to the land, were specific places of ancestral heritage on my documented genealogical tree. During this time of research, discovery and study, my art began to reflect my research. I was very drawn to mixed media and using fabric and sewing materials in addition to acrylic paint and canvas. To some degree, this interest in fabrics and sewing connects back to the women in my adoptive family, the history of women’s craft, and an interest in the feminine. The sewing came to signify and represent a thread of continuation of heritage from ancient times to the present. A tapestry, so to speak of my life and family histories.
Over these past ten years, I have made many discoveries about my own ancestral heritage and biological history. Combined with my lifelong interest in art and diverse cultures, this personal and intellectual journey has shaped my research focus. While I was raised in a middle-class white family through adoption, I now know that I am a phenotypically white woman with a mixed ethnic background. In addition to Scottish and European heritage, other ethnicities that are connected to my ancestry are Native American, Mexican American, and African American. During my PhD program in Fine Arts and Anthropology/Ethnography course work, I have been given the tools and knowledge needed to realize that Visual Ethnographic research is a good fit for me for my dissertation research. This field of study combines my skills as an artist, and my interest in cultures, history, sense of place, and identity.
DAM Fine Art
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