Denita Benyshek
Wichita, KS
Dr. Benyshek creates doorways to visionary, ethereal realms, where viewers create meaning, while connecting intimately to self, the life cycle, and the cosmos.
MessageCOALESCE, Health Hub Gallery, New York City
COALESCE is a four-artist exhibit curated by Julia Rivera, at the new Health Hub Gallery, 138 5th Avenue, New York City. Opening June 28, 2025, 6-10pm. Artists: Denita Benyshek, Gail Richardson, Mila Knoroshilov, Omar Ortiz Scott Thiele. This collection includes the artworks by Denita Benyshek in the COALESCE exhibit.
Cosmic Spirits (within Dissimilar Homogamy), Commerce Club at the National, 2/7/25 - 4/26/25
COSMIC SPIRITS: Mixed-Media Art by Denita Benyshek Opening reception Friday, February 7, 5pm - 8pm The Commerce Club at The National 150 N Main, Wichita, KS Curated by Tim Stone Cosmic Spirits provides the Wichita community with a preview of 30 mixed-media artworks by Denita Benyshek, before her art is featured at the Clio Art Fair, New York City, May 8 – 11, 2025.
I am sharing this art with my Wichita community because many individuals and organizations contributed to this creative process. OpenStudios provided an artist-in-residence grant to Botanica gardens and the Koch Cultural Trust grant contributed funding for supplies. In person or via social media, friends and artists and art institution professionals generously offered support, engaged in deep conversations, provided articulate, poetic feedback, and followed the story line that led to this series. In 2018, the "mansin" (master of 1000 spirits) Kim Junghee and her two shaman assistants travelled from South Korea to initiate me through a traditional "Naerim Gut." Since then, I daily say a prayer that calls into me the spirits of the sky, mountains, prairie, earth, and cosmos. In this creative practice, I serve as a channel for these nature-inspired works as gifts to the viewer. I was led by a research question: "How do I visually represent my visionary experiences of nature in a way that can be shared with my audience?"
Inspiration exploded while working on the final edit of a chapter, Art Audience as Shamanic Community, for the anthology, Transdisciplinary Migrations: Science, the Sacred, and the Arts (Cambridge Scholars, UK). At Botanica, and in the home garden, I made over 30 drawings and watercolor paintings. As I photographed this work, I made many detail photographs to highlight the abstract qualities. I intuited that these details were leading me forward. I began a circular process, digitally manipulating the photographs to create symmetrical designs, printed these images with archival pigment inks, then developed the prints further with acrylics, watercolor, gouache, chalk pastels, oil pastels, and more ink, creating unique, mixed-media, works of art, which then inspired the large-scale painting on canvas. The symmetrical images, an integration of traditional and contemporary art techniques, are dynamic, radiant, and evoke an awareness of the sacred, cosmic life force.
I am sharing this art with my Wichita community because many individuals and organizations contributed to this creative process. OpenStudios provided an artist-in-residence grant to Botanica gardens and the Koch Cultural Trust grant contributed funding for supplies. In person or via social media, friends and artists and art institution professionals generously offered support, engaged in deep conversations, provided articulate, poetic feedback, and followed the story line that led to this series. In 2018, the "mansin" (master of 1000 spirits) Kim Junghee and her two shaman assistants travelled from South Korea to initiate me through a traditional "Naerim Gut." Since then, I daily say a prayer that calls into me the spirits of the sky, mountains, prairie, earth, and cosmos. In this creative practice, I serve as a channel for these nature-inspired works as gifts to the viewer. I was led by a research question: "How do I visually represent my visionary experiences of nature in a way that can be shared with my audience?"
Inspiration exploded while working on the final edit of a chapter, Art Audience as Shamanic Community, for the anthology, Transdisciplinary Migrations: Science, the Sacred, and the Arts (Cambridge Scholars, UK). At Botanica, and in the home garden, I made over 30 drawings and watercolor paintings. As I photographed this work, I made many detail photographs to highlight the abstract qualities. I intuited that these details were leading me forward. I began a circular process, digitally manipulating the photographs to create symmetrical designs, printed these images with archival pigment inks, then developed the prints further with acrylics, watercolor, gouache, chalk pastels, oil pastels, and more ink, creating unique, mixed-media, works of art, which then inspired the large-scale painting on canvas. The symmetrical images, an integration of traditional and contemporary art techniques, are dynamic, radiant, and evoke an awareness of the sacred, cosmic life force.
