The entire picture plane is organized into horizontal bands of activity, each speaking a different visual language. At the top, vertical black-and-white columns march with rhythmic regularity. Through the middle, looping cursive spirals — white, continuous, almost musical — flow across the columns in a long horizontal wave, like a melody written over sheet music. Below that, aggressive diagonal slashes break the rhythm apart. At the bottom, rounded arch forms rise in a patient row. The work reads like intercepted transmission: signal, interference, noise, and resolution, all layered over a grey field that holds them without resolving them.