A restrained and meditative work. Translucent forms in terracotta, burnt sienna, warm amber, and cool slate overlap on a bare cream ground, their edges soft and breathing. A textured grey stone-like shape anchors the right while a cascade of evenly spaced dark lines descends from the amber form below — precise, rhythmic, almost like notation. The composition suggests geological strata, or the quiet accumulation of days. What isn't shown is as important as what is.