Coralina Rodriguez Meyer
Miami <> BK
Coralina Rodriguez Meyer is an indigenous Latinx (Muisca Inca), Colombian American artist, architect and community organizer based in Miami FL and Brooklyn NY.
MessageContact
Coralina Meyer at gmail dot com
Born 1982 Homestead Everglades FL
Based in Miami & Brooklyn
Coralina Rodriguez Meyer is a Brooklyn & Miami based, mixed race indigenous Andine American (Muisca/Inca) Quipucamayoc artist. Born in the Everglades swamp in Miccosukee land, raised Tinkuy & Ital between Homestead, FL and the Caribbean, she spent half her life in NYC before returning to Miami to birth her daughter Zaita whose name means the beginning of time and the “umbligo” origin of the world. Spanning 20 years and 30 countries, Coralina’s Quipucamayoc (culture keeper) interdisciplinary practice bonds installation, archives, architecture, advocacy and education. Creating works in collaboration with climate and reproductive health leaders, and their melanated, immigrant LGBTQIA+ community, their Mama Spa Botanica workshop honors neon rituals vibrating in native narratives. Her direct action advocacy, art, architecture, and archive work centers civic agency in vulnerable yet unvanquished neighborhoods to transgress structural violence in American mythology.
Coralina studied painting at Maryland Institute College of Art and anthropology at John’s Hopkins before completing her Architecture BFA at Parsons School of Design, New School University. She received her MFA in Combined Media at Hunter College CUNY 2013 while assistant teaching with Daniel Bozhkov, Malik Gaines & Eleanor Heartney. Coralina received awards from Foundation for Contemporary Art, Oolite Arts, Kennedy Center VSA Arts, South Arts, NYFA, National Association of Latino Arts & Culture and Young Arts. Her work has been featured in the NY Times, Village Voice, Hyperallergic, Univision, the Guardian, London Review of Books and Washington Post. Coralina has exhibited at the Queens Museum, Bronx Museum, the Smithsonian Museum, Kunsthaus Bretanien Berlin, Contemporary Art Center New Orleans, KMAC Museum, Perez Art Museum Miami, the Corcoran, Miami Artist Biennial, Immigrant Artist Biennial NYC and Southern Survey Biennial. She has shown at AIR gallery, Bitforms, Andrew Edlin, Latchkey gallery and the NY Armory.
While designing/building skyscrapers locally and internationally with her Abra Studio design firm, Coralina founded Lambastic multimedia arts collective (2005-2011). Coralina is an educator holding workshops in homes, hospitals, urban farms, on the streets and in institutions. She has been an adjunct professor at Pratt Institute, Florida International University, a guest critic and lecturer at University of Miami, University of Maryland, Hunter College & Parsons School of Design. Coralina held research fellowships at Universitat der Kunst investigating Nazi utopian architecture, urban design and technology with Hito Steyerl, Syracuse University Florence examining Italian Fascist Urban Design, Museo de Sitio Machu Picchu & Museo Larco translating Quipus to American iconography, University of Maryland Jackson African fertility effigy collection, Colonial FL Cultural Heritage Museum, Kislak Americas collection at Miami Dade College and University of Miami.
Coralina is a founding board member of Menstrual Market: Reproductive Health for the Culture, and advocate for Urban Greenworks Cerasee Farm Liberty City. Coralina was a 2024 NALAC Advocacy Leadership Institute fellow where they advocated for nationwide arts, culture, reproductive health and climate justice initiatives with the house and senate on capital hill. Coralina Rodriguez Meyer is a current resident of Baxter Street CCNY, has held residencies at Ankhlave Arts Alliance Governor's Island, Bronx Museum AIM program, Mildred's Lane and En Residencia at Miami Dade College.
Coralina's art practice is an embodied archive of her direct action community organizing work spanning democratic fertility and education. Coralina's tia Margarita was a founding member of the all female Machu Picchu defense force protecting the Inca Trail from tourist destruction prior to gaining its Unesco status in the 80s. Her tia Martha was a collaborator in the Maohi Tahitian movement & Greenpeace to prevent the bombing of Moruroa Island in the 90s by the French government. Coralina's abuelas and ancestors in Chia Colombia have maintained their botanica land for 7 generations founding Torca restaurant and community center to provide limpias & comidas tipicas for indigenous laborers prior to and during the industrial revolution of Bogota. Her grandmother Lois was a WWII blackout warden in NYC prior to founding an English language & college prep program for Haitian immigrants in Miami at Miami Edison High School from 1970-2000. Continuing her family's tradition of community organizing in environmental justice movements, Coralina culturally translates civic strategies across disciplines. Since the 90s, Coralina has worked on grassroots progressive campaigns in direct action community justice work while engaging her vulnerable barrio in building civic agency through ethical aesthetics and collaborative justice work. Coralina has collaborated with progressive organizations such as Sierra Club, Dream Defenders, Florida for All, Solar Libre, Retreet America, Treatment Action Group and Disability Independence Group to build consortium programs across movements.
Coralina's 2023 solo show at University of Maryland combined her research in the Jackson collection archive of African fertility effigies with 2 centuries of reproductive health rituals from the Americas in an immersive exhibition of Mother Mold monuments, Linea Negra moving images & Mama Spa Botanica workshops and was reviewed in the Washington Post. Coralina's solo feature for The Immigrant Artist Biennial NYC was featured in Cultbytes. Her 2021 solo show Unbearable Fruit at Bronx River Art Center, was reviewed in Hyperallergic and supported by grants from NYC Department of Cultural Affairs, Young Arts, Oolite Arts and Foundation for Contemporary Arts. Coralina's 2022 Mama Spa Botanica solo show at the Colonial FL Cultural Museum in Alapattah Miami FL transformed a pre and post colonial collection of 1000+ years of indigenous artifacts from the Americas owned by the Catholic church into a Mama Spa Botanica sanctuary including a site specific retablo of Mother Mold monuments. Her 2023 solo show Voladores at Miami Dade College Koubek Center was a culmination of her year long artist scholar in residency, researching the Kislak Americas collection at University of Miami & Miami Dade College, awarded by Diaspora Vibe Cultural Arts Incubator, supported by grants from National Association of Latino Culture, Young Arts and Oolite Arts. Coralina's 2024 solo exhibition at Thomas Jefferson University was the subject of a College Art Association Conference presentation on Healing the Museum: 21 century artists & public health.
- Tahiti Intertwined: Ancestral Land, Tourist Postcard, and Nuclear Test Site by Miriam Kahn, American Anthropologist, New Series Vol. 102 No 1 Mar., 2000 pp. 7-26 https://www2.kobe-u.ac.jp/~alexroni/TR%202012/2012_12/Tahiti%20Intertwined
Statement
After my infertility diagnosis in 2008, I began documenting the inception of ranking systems in American mythology with the Linea Negra photographs & moving image series including the hemispheric melanin line appearing during pregnancy. In 2018 I expanded the Mama Spa Botanica workshop into documentary sculpture or "Mother Mold" birth masks when I became pregnant with my daughter (who I gave birth to during a tropical storm in Miami FL). Before creating my own Mother Mold pregnancy cast, I was informed by a hospital nurse that Miami had the highest rates of maternal and infant mortality for black and brown families globally and that I should consider donating my cord blood as a brown pregnant person. My community organizing work combined with archival research and evolved into a Mother Mold bivalve (lost wax) mummy cast of myself in the tradition of my Inca, Muisca & Moche ancestors who developed mummification rituals from habitat cultivation and site specific installation including a collaboration with the landscape, textiles, clay and other climate resources such as the Paracas mummies.
Preserving my ancestral rituals in contemporary critical practice involves excavating archives, reinvidicating architecture, evolving advocacy methods and cultivating a matriarchal support infrastructure through community organizing. Translating cultural practices in contemporary US American contexts, I support my neighborhood griots such as Jamaican full spectrum Doula Nicky Dawkins, environmental activists like climate activist/ herbalist/urban farmer Roger Horne of Urban Greenworks who improve the material conditions of my low income, immigrant, diasporic community. I collaborate with reproductive justice leaders, climate advocates and procreative neighbors to create fertile habitats by, of and for LGBTIA+BIPOC families to transcend structural and domestic violence in American mythology.
My immersive Foliage Obscura retablo installations offer Mother Mold monuments and Linea Negra photographs from the Mama Spa Botanica workshop - as multisensory, kinetic altars inspired by indigenous millenary rituals preserved from Andean mummification to contemporary vernacular birth mask and fertility effigy creation involving waste based material upcycling. The Mama Spa Botanica workshop restores dignity and divinity to survivors of conflicting climate and reproductive health crisis in America. The project transforms white institutional walls into vibrant sanctuaries reflecting the neon rituals, fertile flora, and endangered fauna or activists vibrating in our Latinx & Caribbean diaspora matriarchal heritage. Intimate ephemera, environmental waste & domestic construction materials are cast into fertility effigies made from birth masks of pregnant people and their habitat. Endangered species and activists are exalted in the collaboratively created works to weather man-made and mother nature crisis collectively. In collaboration with doulas, botanicas, historians, herbalists, care givers, community organizers and artists the interdisciplinary Mama Spa Botanica delivers full spectrum cultural care while transgressing the texture and complexion of the American Castas system by strengthening social fabric, restoring advocacy, preserving ancestral and artificial intelligence.
Mother Mold monument fertility effigies, Linea Negra photographs, Flora Aura paintings and Foliage Obscura retablos offer immersive self-care as an expansion of community regard. The collaboratively created works span resistance craft traditions including altar-making, Haitian Revolution birth-mask casting, carnival palm-weaving and mummification rituals. Fertility effigies cast from pregnant neighbors, upcycle our material refuse, the works offer a maternal refuge for our collective survival.
Linea Negra series photographs (2008-present) documents the inception of gender, power and race structures from slogans, slang, maxims and "old wives tales" to internalized, institutional violence. The works celebrate the melanin line appearing during gestation (most prominent in women of color) as a biological pieta; the first biographical mark on the procreative body and the first sign of our creative humanity.
Flora Aura paintings (2022-present) cast vulnerable yet unvanquished psychic habitats vibrantly painted on interior domestic textiles such as serapes, upholstery or drapery fabric to cradle the viewer within a critical yet comforting apparition. Flora Aura cast landscape paintings considers fertility culture across reproductive and climate crisis in the Americas: a complicated historical, political, and geographic context wherein conquering the tropical landscape and diasporic women’s bodies stem from a colonial Eurocentric legacy.
Mother Mold monuments (2018-present) are fertility effigies reclaiming stigmatized, material refuse as a maternal refuge in and of our bodies, landscape and our movement. Evolving mummification rituals from Andean Chinchorros ancestors 5000 bce, the fertility effigies bond Ancestral Intelligence durable technologies with contemporary vernacular preservation practices ranging from textile binding, braiding, upcycled materials including intimate waste and environmental ephemera cast in domestic construction materials.
Linea Negra photographs (2007-present) document the inception of ranking systems through the hemispheric melanin line appearing during gestation: most prominent in pregnant people of color. Archiving maxims or "old wives tales", botanica traditions and verbal histories; the Linea Negra is the first creative mark on a procreative body, made between fetus and mother as the original Pieta.
Double ConsciousnessInfinity Mirror photographs (2013-present) are architectural interventions translating critical histories into interactive monuments for geopolitical sites. Holographic, mirrored images infinitely reflect the witness, into a call and response through history between the fertile subject in labor and the labor of surveillance. Architectural scale photographic installations reject consumer aesthetics to improve critical literacy through AI Ancestral Intelligence resisting the evolving gaze of legislative legacies and their violent impact on integrated families.
Apariciones: Virgen Gruta (2018-present) photographs render fertility effigy altars in their endemic habitat to reclaim American material refuse as a vernacular, maternal refuge. Venerating entropic life and death cycle practices across indigenous equatorial cultivars, the vibrant retablos are apparitions of vulnerable, yet unvanquished interior psychic landscapes overcoming assimilation and species collapse.
Contact
Coralina Meyer at gmail dot com
Born 1982 Everglades Homestead FL
Based in Miami & Brooklyn
Education
2013 Hunter College CUNY MFA Combined Media New York NY
2004 Parsons School of Design The New School University BFA Architecture New York NY
Other Education
2011 Universitat Der Kunst Graduate Erasmus Hito Steyerl & Gregor Schneider Berlin DE
2000-01 Maryland Institute College of Art BFA Painting major Baltimore MD
2000-01 John’s Hopkins University Anthrophology coursework Baltimore MD
2002 Syracuse University Architecture & Urban Design Undergraduate Erasmus Florence IT
2000 New World School of the Arts highschool, University of Florida Visual Arts dual enrollment Miami FL
Fellowships Residencies
2025 Baxter Street CCNY x Young Arts Artist in Residence NYC
2024 Ankhlave Artist in Residence Governor's Island NYC
2023 University of Miami Kislak Collection, Researcher in Residence Miami FL
2023 University of Maryland Jackson African Effigy Collection, Researcher in Residence Washington DC
2022-23 Miami Dade College Koubek Center Artist & Scholar in Residence Miami FL
2017 Bronx Museum AIM Residency Program New York NY
2012 Museo de Sitio Manuel Chavez Ballon Research Fellowship Machu Picchu Peru
Artist’s Institute Rosemarie Trockel Series Hunter College New York NY
2010 Mildred’s Lane Art Residency J Morgan Puett & Mark Dion Beach Lake PA
1998 Maryland Institute College of Art Pre-College Program Baltimore MD
Awards
2024
Miami Individual Artist Grant Miami Dade County Department of Cultual Affairs Miami FL
Exhibition Grant Young Arts Foundation Miami FL
Community Grant Laundromat Project Brooklyn NY
2023
Latinx Art & Culture Grant National Association Latino Arts & Culture San Antonio TX
Miami Individual Artist Grant Miami Dade County Department of Cultual Affairs Miami FL
40 Under 40 Alumni Award President Jennifer Raab Hunter College CUNY NYC
Exhibition Grant Young Arts Foundation Miami FL
2022
Ellies Exhibition Grant Oolite Arts Miami FL
MIA Stipend Artist Grant National Endowment for the Arts & Miami Dade Arts Culture FL
South Arts Individual Career Grant FL Region South Arts Organization Atlanta GA
Artist Initiative Grant Greenspace Miami FL
2021
Exhibition Grant Young Arts Foundation Miami FL
Exhibition Grant New York Department of Cultural Affairs NYC
Emergency Grant Foundation for Contemporary Arts NYC
2020
Covid Relief Grant Foundation for Contemporary Arts NYC
Covid Relief Grant Locust Projects Miami FL
Artist Micro Grant National Young Arts Foundation Miami FL
Neon Arts Grant FEMILIA Taller Neon Carnegie Hall New York NY covid canceled
Exhibition Grant New York Department of Cultural Affairs NYC covid canceled
2019 Ellies Creator Grant Oolite Arts Miami FL
2016 NYFA Grant Finalist Architecture & Design New York Foundation for the Arts NY
2012 Graf Travel Grant Inca Urban Design & Khipus Hunter CUNY Peru
Williamsburg Park Architecture Competition Open Space Alliance Brooklyn NY
2011 Leutz Riedel Fellowship Nazi Utopian Architecture Hunter CUNY Berlin Germany
2006 Volkswagen Grant Recipient VSA Arts Washington DC
2002-04 Full Tuition Merit Scholarship Parsons The New School New York NY
2000-01 Full Tuition Merit Scholarship Maryland Institute College of Art Baltimore MD
2000 Scholastic Arts Award Silver Key Washington DC
Young Arts National Foundation for the Arts Visual Art Award Washington DC
Solo Exhibitions
2025
Baxter Street CCNY Young Arts Residency Sueños Senos del Cenote Yemaya NYC
2024
Thomas Jefferson University Iris Crepusculos Pupilas Madrugadas Curated by Megan Voeller Philadelphia PA
Project Row Houses Arco Kuychi Monument, Southern Biennial Curated by Dr Kimberli Gant Houston TX
2023
University of Maryland Art Gallery Mother Molds Curated by Taras Matla & Melanie Nguyen Washington DC
Artist's Alliance, Cuchifritos Gallery Santuarios Gestion Desmadres The Immigrant Artist Biennial Curated by Ekstrand, Adams, Boragi NYC
Artists in Miami Biennial x Colonial FL Cultural Heritage Museum Lenguas Espinas Descolumnas curated by Marie Vickles, William Cordova, Amy Rosenblum Martin & Jean Moreno Miami FL
Miami Dade College Koubek Center Voladores Miami FL
Prizm Art Fair Linea Negra Special Projects section curated by Mikhaile Solomon Miami FL
2022 Colonial FL Cultural Heritage Museum Coralina Triptych Curated by Ray Zamora Miami FL
2021 Bronx River Art Center Unbearable Fruit Curated by Taylor Bradley NYC
2020 Whitebox Harlem Cunt Quilt Arpilleras Americanxs Curated by Juan Puntes NYC covid canceled
2012 Hunter College Times Square Gallery MFA Thesis Exhibition NYC
Group Exhibitions
2025
Galeria Ugarte Entre Mitos y Vida Curated by Marisol Toruella y Felix Bonilla Gerena Isabela PR
Project for Empty Space Body Freedom for Every Body Curated by J Wahi, R Jampol, D Davis, C Hernandez Newark NJ
2024
Elizabeth Foundation for the Arts Aoko Curated by Klaudia Ofwona Draber KODA
Project for Empty Space Body Freedom for Every Body Curated by Carlos Hernandez Nationwide & NYC
Artists Gardener Harlem Healing Hideway Curated by Ankhlave, Cecilia Andre & Christine Stoddard NYC
Flux Factory Spiritual Machines Curated by Jodie LynKee Chow & Amelia Marzec NYC
Ankhlave Arts Governor’s Island Claimed & Reclaimed Curated by Cecilia Andre & Christine Stoddard NYC
Frank Museum Ft Lauderdale Ebb & Flow Curated by Sophie Bonet & Zee Lopez Miami FL
Ankhlave Arts Governor’s Island Phantom Burdens & Limbs Curated by Dario Moore NYC
East Tennessee State University Slocumb Gallery Positive Negative Curated by Michelle Fisher
2023
Penn State University Invisible Bodies Curated by The Border Gallery & Emireth Herrera Valdes PA
Latchkey Gallery After Eden Curated by Molly Davy & Amanda Uribe NYC
Young Arts Gallery Megafauna: Land Dwellers Curated by Naomi Fisher Miami FL
Kitasenju Buoy Museum WE CAN DO IT! Tomorrow Girls Troop Curated by TGT Tokyo Japan
2022
NYU Tisch Gallery Home: Reimagining Interiority Curated by Dr Morgan & Dr Willis NYC
Greenspace Miami ChromaTone Curated by Zee Lopez & Mireille Louis Charles Miami FL
Young Arts Home: Reimagining Interiority Curated by Dr Joan Morgan & Dr Deb Willis Miami FL
Vinegar Projects Embattled Bodies Curated by MSA Karlota Contreras-Koterbay Birmingham AL
2021
Contemporary Art Center NOLA Every Beautiful Thing Curated by D Morris New Orleans LA
Perez Art Museum Miami My Body My Rules Performance Curated by Jennifer Ignacio Miami FL
2020
University of Cincinnati DAAP Gallery Hindsight 2020 Curated by Fem Four Cleveland, OH
Hunter East Harlem Gallery Her Right to Know Curated by Kristen Clevenson NYC
2019
Mana Contemporary Collabo Show Curated by J Long & A Woodgate Miami, FL
2018
Queens Museum STEP Show Curated by C Freeman, E Herrera, M Williams Queens, NY
Kentucky Museum of Arts & Crafts Still They Persist! Curated by Fem Four Louisville, KY
Flux Factory Air Rights Cunt Quilt Hourglass Curated by Christina Freeman Queens, NY
Sedition Dreamspace Curated by Sophie Kahn Digital Exhibition
2017
Bronx Museum Bronx Calling AIM Biennial Curated by Aylet Ojeda NYC
AIR Gallery Beyond the Bedcovers Curated by Laura Petrovich-Cheney Brooklyn, NY
NYFA Gallery Informality Curated by David C Terry NYC
NYU Kimmel Gallery Unnatural Election Curated by Andrea Arroyo NYC
2015 Bitforms Gallery Distrust that Particular Flavor Curated by Dexter Wimberly NYC
2014 Spring Break Art Fair Interventions Curated by Larry Ossei Mensah NYC
2013 No Longer Empty How Much Do I Owe You? Curated by Matti Havens Queens, NY
Hundred Forsyth Gallery I Like it When the Girls New York, NY
2012
Bronx Museum Latin American Biennale BMHC Lab Bronx, NY
Kunstlerhaus Brethanien After NOW! Kino Arsenale Curated by Hito Steyerl Berlin, DE
2011 Clemente Soto Velez Gallery Capture Curated by Christina Freeman NYC
2010
Smithsonian Museum International Gallery VSA Arts Festival Washington, DC
New York Armory VSA Arts Booth NYC
LMCC Project Space Alot of Possibilities NYC
Hunter College Times Square Gallery Being Here NYC
Casa Lin Gallery Artseen curated by Fred Snitzer, Maggy Cuesta Miami, FL
2009
New York Armory VSA Arts Booth NYC
Andrew Edlin Gallery VSA Arts Group Show NYC
Wassaic Project Summer Festival Wassaic, NY
2006
Smithsonian Museum Destination Anywhere VSA Arts Ripley Center Washington, DC
Miami University Museum Destination Anywhere VSA Arts Oxford, OH
Kennedy Center Museum Destination Anywhere VSA Arts Washington, DC
2004 Parsons Architecture Gallery Architecture Thesis Exhibition NYC
2000 Corcoran Gallery of Art Young Arts Award Show Washington, DC
Miami Art Museum Young Arts Award Show Miami, FL
Press Bibliography
Press
2025
Houstonia Magazine “Project Row Houses Biennials Change the Gallery Game” Meredith Nudo
2024
Hyperallergic “On Governor’s Island, Artists Get a Breath of Fresh Air” Aaron Short
Quail Bell Magazine "Artist Interview: Coralina Rodriguez Meyer" Madeline Trice
The Art Newspaper “Your Body is a Battleground: Reproductive Rights Art Show Rolls into Miami” Vanessa Thill
Art Spiel “A Story of Immigration, Heritage and Identity: Invisible Bodies” Kaitlin Anne Vervoort
Caribbean Review of Gender Studies “Visual Language and the Un-seeable Self” Dr Marsha Pearce
Fairchild Press “Aging Congregations in America” Dr Jeffrey Rosenfeld research assistant
Gebrüder Mann Verlag Berlin “Entanglements: Gendered Discourses of Textile Handicraft” Dr Anne Rohl
AWARE x WOPHA Conference catalog “On the Edge of Visibility: Keynote” Dr Donette Francis
2023
Washington Post “In the Galleries: Exhibits Highlight Maternal Themes Past and Present” Mark Jenkins
Art News “5 Shows to See in Miami During Art Basel” Carolina Drake
Art Spiel “Reproducing as an Immigrant: Young Joo Lee, Coralina Rodriguez Meyer” Anna Mikaela Ekstrand
Hyperallergic “In Ron Desantis’ Florida, What Can an Art Fair Mean?” Carolina Drake
Freize Magazine “Six Exhibitions to See During Art Basel Miami” Monica Uszerowicz
Commissioner “Black Arts Advocacy as Care Work” Dr Donette Francis
Maryland Today “The Artistry in Maternity” Sala Levin
Tomorrow Girls Troop exhibition catalog “WE CAN DO IT! TGT 4th wave Asian Feminism” TGT Japan
2021
Hyperallergic “How Incan-Muiscan Wisdom Helps Preserve Lives BIPOC Women” Daniel Larkin
Latinx Spaces “Juana Valdes offers refuge in Rest Ashore” Coralina Rodriguez Meyer
2020
WLRN, NPR Miami “Women’s March Makes Steps Towards Inclusivity” Maria Esquinca
Miami Herald “Fourth Annual Women’s March Miami Draws Supporters” Isaiah Smalls
2019
Referentin Journal (Germany) “Pussy Hats und Cunt Quilts” Sarah Held
Art Forum “Miami Artists Awarded for the Ellies”
2018
The Guardian "See Change:The battle against sexual harassment in the art world" Nadia Sayej
USA Today “Women’s March exhibit puts recent history in spotlight” Meg Ryan
2017
Hyperallergic "An Artist Seeks Women’s Used Underwear for Sewing into Quilts" Sara Rose Sharp
National Museum of Women in the Arts blog “Art Fix Friday” Emily Haight
Paper Magazine "This Artist is Turning Your Dirty Underwear Into an Anti-Trump Quilt"
Jezebel "We're Not Gonna Sit Down: A Day Without a Woman” Ellie Shechet
London Review of Books “Me Too Outside Trump’s Hotel” Moira Donegan
Metro UK "This artist wants to turn your worn underwear into an act of protest" Ellen Scott
Metropotam Bucharest "Artist Coralina Meyer's Dirty Underwear Flag"
Viva TV Berlin "Diese Frau Protestiert Mit Dreckigen Unterhoschen Gegen Trumps"
Lady Zone Bulgaria "Worn Pants Against Trump" Evgeny Milov
2014 Art Nerd March “Spring Break Art Show” Natalie Trainor
2013 ArtInfo November “Critical Scenes from an Architect’s Halloween” Anna Kats
2010
New York Times September “Last Supper Salon”
Hyperallergic “The Last Supper Salon at 3rd Ward”
2009 New York Post “Last Supper a Good One” Aaron Short
2008 Village Voice September “A Feast for the Senses”
Time Out Magazine September “Best of the Fests”
New York Magazine September “Will Edible Art Give Artsy-Fartsy a New Meaning?”
2007 Nylon Magazine September “Music: Last Supper Festival”
Lectures Interviews
2025
College Art Association Healing & The Museum panel discussion Dr M Nguyen, Dr M Moncrieffe, M Voeller NY
2024
Ankhlave Arts Alliance Latinx Artist Spotlight Moderated by Dario Moore NYC
Elizabeth Foundation for the Arts Aoko Artist Panel Discussion Moderated by Klaudia Ofwona Draber NYC
2023
Civic Art Lab "Mama Spa Botanica: Hovering Above Redlines & Waterlines" Greenspace NYC
219 West Episode 86 “NY Stories: An Artist’s Take on the Maternal Health Crisis in America” Sunny Nagpaul NYC
Miami Dade College Koubek Center Artists in Residence film Omni Kizzy Productions Miami FL
2022
American Alliance of Museums & Galleries Conference Sustainable Art Panel University of Utah
Young Arts Foundation Home: Reimagining Interiority Artist Interview Miami FL
2021
Perez Art Museum Miami My Body My Rules Artist Talk Artist Panel Discussion Miami FL
Perez Art Museum Miami My Body My Rules Interview w Curator Jennifer Ignacio Miami FL
Latinx Forum CHISPA Artist Talk Coralina Rodriguez Meyer Video New York NY
Common Field Convening Mother Artist Locust Projects Curated by Monica Peña Virtual
Kean University Human Rights Institute Capturing Change Exhibition Discussion Panelist NJ
2020
Tomorrow Girl Troup International Feminist Artists guest lecturer Tokyo Japan
La Guardia Community College Artist Studio Visit guest lecturer New York NY
2019 Pratt Institute Summit: Launching an Ethical Future panelist Brooklyn NY
2018 The Guardian "See Change: The battle against sexual harassment in the art world" N Sayej
2017
Univision “Decenas de Personas Protestan Contra el Abuso Sexual en Manhattan” New York NY
Bronx Museum AIM Biennial Artist Talk & Performance Bronx NY
2013 Brooklyn Museum Meirle Laderman Ukeles Post-Sandy Maintenance Reconstruction Brooklyn NY
2012 Hunter College Focus & Motivation Lecture Art History Hall New York NY
2007 NY1 TV Last Supper Salon Interview Hope Lounge Brooklyn NY