Arts in Healing
Karen Casteel by Karen Casteel  Image: I enjoy creating ceramics that are inspired by the sensitivity of the clay, perform a specific function, and are finely designed. There is a wonderful challenge in creating a beautifully made form with a surface that enhances the shape. I strive to make pieces that are not only fine craft but, when functional, feel pleasant in the hand. Whether a piece becomes part of a daily routine or is reserved for special occasions, I consider my artistic goal achieved when the vessel becomes more than a mere object; it enriches life and fosters meaningful experiences. The connection between utility, design and human interaction is at the heart of my work. 

 
“Still Waters”
The natural world has long been a source of meditation and healing for many individuals. In times of illness, stress, or when there is a need for connection toward something greater, Mother Earth provides a space for reflection and comfort. Whether it is gazing into the blue sky, looking out across the ocean, or enjoying a tranquil brook, there is a sense of peace found in nature.

Over the past few years, life has brought significant uncertainty. Experiences of family loss, health challenges, and major lifestyle changes prompted reflection on what brings hope and healing during periods of such transition. Despite being stretched beyond expectations, these moments encouraged a practice of rest, prayer, connection, and creativity. This period of introspection also led to an exploration of new surface techniques in ceramic work. From this process, “Still Waters” emerged and became the first piece considered for this Arts in Healing exhibition.

The title, “Still Waters,” reflects both the depth found in the colors and textures of the piece, as well as the gently undulating edges. The clay has been fired to achieve permanence, yet it retains a memory of its once soft and pliable nature. My hope is that viewers’ eyes will be drawn to the subtle variations across the surface, and, as the piece is functional, their hands will naturally reach out, inviting them to become part of the experience. The rich greens, earthy blacks, and creamy tones evoke memories of a quiet stream. Gazing into “Still Waters” represents a place where one can discover calm, rest, and renewal.
I enjoy creating ceramics that are inspired by the sensitivity of the clay, perform a specific function, and are finely designed. There is a wonderful challenge in creating a beautifully made form with a surface that enhances the shape. I strive to make pieces that are not only fine craft but, when functional, feel pleasant in the hand. Whether a piece becomes part of a daily routine or is reserved for special occasions, I consider my artistic goal achieved when the vessel becomes more than a mere object; it enriches life and fosters meaningful experiences. The connection between utility, design and human interaction is at the heart of my work. “Still Waters” The natural world has long been a source of meditation and healing for many individuals. In times of illness, stress, or when there is a need for connection toward something greater, Mother Earth provides a space for reflection and comfort. Whether it is gazing into the blue sky, looking out across the ocean, or enjoying a tranquil brook, there is a sense of peace found in nature. Over the past few years, life has brought significant uncertainty. Experiences of family loss, health challenges, and major lifestyle changes prompted reflection on what brings hope and healing during periods of such transition. Despite being stretched beyond expectations, these moments encouraged a practice of rest, prayer, connection, and creativity. This period of introspection also led to an exploration of new surface techniques in ceramic work. From this process, “Still Waters” emerged and became the first piece considered for this Arts in Healing exhibition. The title, “Still Waters,” reflects both the depth found in the colors and textures of the piece, as well as the gently undulating edges. The clay has been fired to achieve permanence, yet it retains a memory of its once soft and pliable nature. My hope is that viewers’ eyes will be drawn to the subtle variations across the surface, and, as the piece is functional, their hands will naturally reach out, inviting them to become part of the experience. The rich greens, earthy blacks, and creamy tones evoke memories of a quiet stream. Gazing into “Still Waters” represents a place where one can discover calm, rest, and renewal.

Collection: West Ashley Medical Pavilion Ceramics x