White Poppies With Apples & Oranges situates the namesake objects within a colorful tableau, arranged through an elaborate process that Gordon has refined throughout the course of his practice. The artist begins by mining his collection of both found and original images, and adheres their digital prints onto volumetric structures that mimic the subject’s form and scale. These objects are then assembled into a still life configuration, photographed, and further manipulated in Photoshop; this last step is most apparent in the distorted and outlined shadows cast by the trio of vases that surround the fruit. Featuring vibrant layers created through both analog and digital means, the final work playfully collapses the distinction between various art mediums, while defying conventional norms of image making.