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ACC Permanent Collection

ACC Permanent Collection

A Student Artwork Database

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Collection: Permanent Collection: Printmaking

ACC Printmaking students learn the traditional techniques of creating original prints through the media of woodcuts, linocuts, intaglio (etching, engraving, drypoint, and aquatint), lithography, and screen printing. Printmaking requires expertise in compositional drawing and design as well as technical precision. Our professors provide hands-on demonstrations of these techniques to teach students how to create printable surfaces for their original compositions. 
Connection by Stacia Lake, Image 1.
  • Stacia Lake
  • Connection, 2022
  • Intaglio with aquatint on rice paper
    7 x 9 in
Angel (Study for the Apocalypse) by Tracy Duncan, Image 1.
  • Tracy Duncan
  • Angel (Study for the Apocalypse), 2011
  • Etching with aquatint
    18 x 14 in
What It Wants by Ruby Painter, Image 13.
  • Ruby Painter
  • What It Wants, 2023
  • Screenprint
    15 x 11 in
Nelson by Heather Parrish, Image 1.
  • Heather Parrish
  • Nelson, 2006
  • Woodcut/Steamroller Print
    102 x 50 in
Koi in Black by Jeffrey Lara, Image 1.
  • Jeffrey Lara
  • Koi in Black, 2015
  • Intaglio
    20 x 15 in
The Phonograph Kid (in Blue) by Lora Frishe, Image 1.
  • Lora Frishe
  • The Phonograph Kid (in Blue), 2011
  • Etching
    7.5 x 7 in
Feed 'em to the dogs, Roy by Zachary Bobkoff, Image 1.
  • Zachary Bobkoff
  • Feed 'em to the dogs, Roy, 2015
  • Lithograph
    14.25 x 22.5 in
Great Dunes National Park by Osvaldo Bins Ely, Image 1.
  • Osvaldo Bins Ely
  • Great Dunes National Park, 2015
  • Etching with aquatint
    18 x 18 in
Down the Rabbit Hole by Nicole Majeski, Image 1.
  • Nicole Majeski
  • Down the Rabbit Hole, 2014
  • Intaglio
    18 x 14 in
Cacti by Laura Buikema, Image 1.
  • Laura Buikema
  • Cacti, 2010
  • Woodblock print on fabric
    46 x 32 in
No Palitos II by Jonathan Rebolloso, Image 1.
  • Jonathan Rebolloso
  • No Palitos II, 2012
  • Silk screen on paper
    10.5 x 7.5 in
Surrendering Yesterday by Vicky Bailey, Image 1.
  • Vicky Bailey
  • Surrendering Yesterday, 2010
  • Mezzotint
    29.75 x 22.5 in
The Windmill by Osvaldo Bins Ely, Image 1.
  • Osvaldo Bins Ely
  • The Windmill, 2016
  • Etching/aquatint
    28 x 20 in
Bug Like an Angel by Gracie Jones, Image 1.
  • Gracie Jones
  • Bug Like an Angel, 2024
  • Intaglio with aquatint
    15 x 11 in
Untitled by Martha Harrison, Image 1.
  • Martha Harrison
  • Untitled, 2004
  • Woodcut/Steamroller Print
    43 x 55 in
Relinquish by Sarah Lailson, Image 12.
  • Sarah Lailson
  • Relinquish, 2024
  • Intaglio with aquatint
    22 x 15 in
Sly Gets Carried Away by Craig Wagner, Image 1.
  • Craig Wagner
  • Sly Gets Carried Away, 2014
  • Woodcut
    25 x 20 in
(O)culus by Keiran B. Greer, Image 1.
  • Keiran B. Greer
  • (O)culus, 2018
  • Intaglio with aquatint
    14.5 x 22.5 in
In Medias Res by Kim L. Packard, Image 18.
  • Kim L. Packard
  • In Medias Res, 2023
  • Intaglio on paper
    7 x 9 in
Earth, Sea, Jello by Ernie Wood, Image 1.
  • Ernie Wood
  • Earth, Sea, Jello, 2019
  • Intaglio with aquatint
    22.25 x 13 in
Fear Caught Me by Amelia Meinbresse, Image 1.
  • Amelia Meinbresse
  • Fear Caught Me, 2019
  • Intaglio etching with aquatint
    10.25 x 8.25 in
Broomtree and the Lantern Hanger Part 2 by Anna Gratovich, Image 3.
  • Anna Gratovich
  • Broomtree and the Lantern Hanger Part 2, 2009
  • Etching with chine-collĂ©
    23 x 16 in
Hole in the Sky by Sophia Rumbarger, Image 1.
  • Sophia Rumbarger
  • Hole in the Sky, 2018
  • Intaglio
    9 x 7 in
Switch by Shanti Conlan, Image 1.
  • Shanti Conlan
  • Switch, 2001
  • Print
    13.25 x 11.25 in
Chamber by Solomon Barna, Image 1.
  • Solomon Barna
  • Chamber, 2012
  • Relief print
    8 x 6 in
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