他自學成才，創作過程嚴謹，畫布上不再再現具象，而是透過筆觸、肌理與材質展現獨特語言。
他的作品回應現代抽象藝術史，卻不流於懷舊或復古。他以堆疊與刪除的方式構成畫面，在直覺與控制間尋求張力，讓繪畫成為不斷試驗的場域。
他拒絕即時性的表演性，創作需要時間沉澱，引導觀者進入一種開放、流動、無定義的觀看經驗。
Seleka Muñoz (b. 1982, Seville) began his engagement with public space through graffiti at the age of ten. Over time, his practice shifted to a studio-based exploration of abstraction.
Entirely self-taught, Muñoz approaches painting with disciplined focus. His work avoids representation, instead developing a visual language rooted in gesture, surface, and material sensitivity. While in dialogue with modernist abstraction, his paintings reject nostalgia or stylistic imitation.
Through processes of layering and erasure, Muñoz navigates the tension between intuition and control. He sees painting not as illustration, but as inquiry—a space for ongoing experimentation.
Resisting immediacy, his work unfolds slowly, inviting viewers into a space where meaning remains open, layered, and evolving.
