All Possible Futures

  1. worlds upon worlds by Karey Kessler, Image 1.

    Karey Kessler

    worlds upon worlds

    28 x 54 in

  2. Untitled by Karey Kessler, Image 1.

    Karey Kessler

    Untitled

  3. to begin again and again by Karey Kessler, Image 1.

    Karey Kessler

    to begin again and again

    28 x 54 in

  4. this continuity, Image 1.

    this continuity

    24 x 48 in

  5. this Mysterious Infinite Unfolding by Karey Kessler, Image 1.

    Karey Kessler

    this Mysterious Infinite Unfolding, 2024

    Watercolor and ink on Hanji paper

    24 x 48 x 2 in

  6. outside the OUTSIDE by Karey Kessler, Image 2.

    Karey Kessler

    outside the OUTSIDE, 2024

    Watercolor and ink on Hanji paper

  7. CHAOS into COSMOS by Karey Kessler, Image 1.

    Karey Kessler

    CHAOS into COSMOS

    Watercolor and ink on Hanji paper on panel

    28 x 54 in

  8. everywhere at all times by Karey Kessler, Image 1.

    Karey Kessler

    everywhere at all times

    14 x 14 in

  9. this moment of Possibility, Image 1.

    this moment of Possibility

    Watercolor and ink on Hanji paper on panel,

    14 x 14 in

  10. We used to go into the forest by Tali Weinberg, Image 1.

    Tali Weinberg

    We used to go into the forest, 2024

    Shredded, spun, woven New York Times Magazine from October 29, 2023: ““Slipping Away: The scientists who are watching their life’s work disappear," embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  11. There was no plan for this/ An utterly new landscape by Tali Weinberg, Image 1.

    Tali Weinberg

    There was no plan for this/ An utterly new landscape, 2024

    Shredded, spun, woven New York Times Magazine from October 29, 2023: ““Slipping Away: The scientists who are watching their life’s work disappear," embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  12. Plan for major disruptions/ Imprecise, anecdotal, and emotionally tinged by Tali Weinberg, Image 1.

    Tali Weinberg

    Plan for major disruptions/ Imprecise, anecdotal, and emotionally tinged, 2024

    Shredded, spun, woven New York Times Magazine from June 25, 2023: “The Trillion Gallon Question," embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  13. Irreversible consequences/ A crumpled funeral program by Tali Weinberg, Image 1.

    Tali Weinberg

    Irreversible consequences/ A crumpled funeral program, 2024

    Shredded, spun, woven New York Times Magazine from Aug. 20, 2023: “They Lurk Inside Our Everyday Stuff. What Are ‘Forever Chemicals’ Doing to Us?,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  14. Alarming signals/ Stabilized explosives by Tali Weinberg, Image 1.

    Tali Weinberg

    Alarming signals/ Stabilized explosives, 2024

    Shredded, spun, woven New York Times Magazine from Aug. 20, 2023: “They Lurk Inside Our Everyday Stuff. What Are ‘Forever Chemicals’ Doing to Us?,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  15. More meaningful connections/ Acknowledge and give voice to grief by Tali Weinberg, Image 1.

    Tali Weinberg

    More meaningful connections/ Acknowledge and give voice to grief, 2024

    Shredded, spun, woven New York Times Magazine from May 21, 2023: “Should You Be in Therapy? (Isn’t everybody else?)”embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  16. A value problem/ No small shift in mindset by Tali Weinberg, Image 1.

    Tali Weinberg

    A value problem/ No small shift in mindset, 2024

    Shredded, spun, woven New York Times Magazine from October 29, 2023: ““Slipping Away: The scientists who are watching their life’s work disappear," embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  17. An air of wisdom, even saintliness/ Not as pristine as often assumed by Tali Weinberg, Image 1.

    Tali Weinberg

    An air of wisdom, even saintliness/ Not as pristine as often assumed, 2024

    Shredded, spun, woven New York Times Magazine from July 17, 2022: “Can Planting a Trillion New Trees Save The World?,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  18. A half-used pencil/ To protect against the sun by Tali Weinberg, Image 1.

    Tali Weinberg

    A half-used pencil/ To protect against the sun, 2024

    Shredded, spun, woven New York Times Magazine from July 17, 2022: “Can Planting a Trillion New Trees Save The World?,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  19. Hunger for any frame of reference/ Horrendous things become ordinary by Tali Weinberg, Image 1.

    Tali Weinberg

    Hunger for any frame of reference/ Horrendous things become ordinary, 2024

    Shredded, spun, woven New York Times Magazines from Feb. 26, 2023: “Three years later, we still don’t know how to talk about what happened,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  20. An almost limitless horizon/ The margins of well understood science by Tali Weinberg, Image 1.

    Tali Weinberg

    An almost limitless horizon/ The margins of well understood science, 2024

    Shredded, spun, woven New York Times Magazine from June 25, 2023: “The Trillion Gallon Question," embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  21. Complex moral questions to settle/ How easy it is to be wrong by Tali Weinberg, Image 1.

    Tali Weinberg

    Complex moral questions to settle/ How easy it is to be wrong, 2024

    Shredded, spun, woven New York Times Magazines from Feb. 26, 2023: “Three years later, we still don’t know how to talk about what happened,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  22. This body that I live in by Tali Weinberg, Image 1.

    Tali Weinberg

    This body that I live in, 2024

    Shredded, spun, woven New York Times Magazine from May 21, 2023: “Should You Be in Therapy? (Isn’t everybody else?)”embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  23. More resilient landscapes/ More good fire by Tali Weinberg, Image 1.

    Tali Weinberg

    More resilient landscapes/ More good fire, 2024

    Shredded, spun, woven New York Times Magazine from October 29, 2023: ““Slipping Away: The scientists who are watching their life’s work disappear," embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  24. Public drinking water standards/ A lifetime of disease by Tali Weinberg, Image 1.

    Tali Weinberg

    Public drinking water standards/ A lifetime of disease, 2024

    Shredded, spun, woven New York Times Magazine from Aug. 20, 2023: “They Lurk Inside Our Everyday Stuff. What Are ‘Forever Chemicals’ Doing to Us?,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  25. A stupefying amount of lived experience/ A sudden multiplicity of realities by Tali Weinberg, Image 1.

    Tali Weinberg

    A stupefying amount of lived experience/ A sudden multiplicity of realities, 2024

    Shredded, spun, woven New York Times Magazines from Feb. 26, 2023: “Three years later, we still don’t know how to talk about what happened,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  26. Such a messy present/ Its distance from our ideals by Tali Weinberg, Image 1.

    Tali Weinberg

    Such a messy present/ Its distance from our ideals, 2024

    Shredded, spun, woven New York Times Magazines from Feb. 26, 2023: “Three years later, we still don’t know how to talk about what happened,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  27. The unimaginable/ Imaginable now by Tali Weinberg, Image 1.

    Tali Weinberg

    The unimaginable/ Imaginable now, 2024

    Shredded, spun, woven New York Times Magazine from October 29, 2023: ““Slipping Away: The scientists who are watching their life’s work disappear," embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  28. Widely cited scientific study/ Obviously useful and woefully uncertain by Tali Weinberg, Image 1.

    Tali Weinberg

    Widely cited scientific study/ Obviously useful and woefully uncertain, 2024

    Shredded, spun, woven New York Times Magazine from July 17, 2022: “Can Planting a Trillion New Trees Save The World?,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  29. Inundation maps/ The evidence in front of them by Tali Weinberg, Image 1.

    Tali Weinberg

    Inundation maps/ The evidence in front of them, 2024

    Shredded, spun, woven New York Times Magazine from June 25, 2023: “The Trillion Gallon Question," embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  30. Data points on graphs/ Though their tears have been wiped away by Tali Weinberg, Image 1.

    Tali Weinberg

    Data points on graphs/ Though their tears have been wiped away, 2024

    Shredded, spun, woven New York Times Magazine from Aug. 20, 2023: “They Lurk Inside Our Everyday Stuff. What Are ‘Forever Chemicals’ Doing to Us?,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  31. Plans for peace/ Because I simply refused to believe it wasn’t possible by Tali Weinberg, Image 1.

    Tali Weinberg

    Plans for peace/ Because I simply refused to believe it wasn’t possible, 2024

    Shredded, woven New York Times Magazine from Nov. 13, 2022: “We live in an age of destruction, which means we live in an age of rebuilding,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  32. The certainty of a vastly changing world/ The threat and possibility of broader transformation by Tali Weinberg, Image 1.

    Tali Weinberg

    The certainty of a vastly changing world/ The threat and possibility of broader transformation, 2024

    Shredded, woven New York Times Magazine from Nov. 13, 2022: “We live in an age of destruction, which means we live in an age of rebuilding,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  33. A few fallen trees by Tali Weinberg, Image 1.

    Tali Weinberg

    A few fallen trees, 2024

    Shredded, woven New York Times Magazine from Nov. 13, 2022: “We live in an age of destruction, which means we live in an age of rebuilding,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  34. Identify fragments/ Small beginnings nourish larger hopes by Tali Weinberg, Image 1.

    Tali Weinberg

    Identify fragments/ Small beginnings nourish larger hopes, 2024

    Shredded, woven New York Times Magazine from Nov. 13, 2022: “We live in an age of destruction, which means we live in an age of rebuilding,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  35. Paper pledges/ Strategies of smiling delay by Tali Weinberg, Image 1.

    Tali Weinberg

    Paper pledges/ Strategies of smiling delay, 2024

    Shredded, woven New York Times Magazines from Oct. 30, 2022: “The New World: Envisioning a Future After Climate Change,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  36. The power of these frenzied moments/Rebuilding and reimagining at once by Tali Weinberg, Image 1.

    Tali Weinberg

    The power of these frenzied moments/Rebuilding and reimagining at once, 2024

    Shredded, woven New York Times Magazine from Nov. 13, 2022: “We live in an age of destruction, which means we live in an age of rebuilding,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  37. In the face of such interconnected struggles by Tali Weinberg, Image 1.

    Tali Weinberg

    In the face of such interconnected struggles, 2024

    Shredded, woven New York Times Magazine from Nov. 13, 2022: “We live in an age of destruction, which means we live in an age of rebuilding,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  38. Overwhelmed by this vision/ The jagged new world/ We think we know by Tali Weinberg, Image 1.

    Tali Weinberg

    Overwhelmed by this vision/ The jagged new world/ We think we know, 2024

    Shredded, woven New York Times Magazines from Oct. 30, 2022: “The New World: Envisioning a Future After Climate Change,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  39. The landscape of possibility/ Remains ours to make/ From the microbial to the geopolitical by Tali Weinberg, Image 1.

    Tali Weinberg

    The landscape of possibility/ Remains ours to make/ From the microbial to the geopolitical, 2024

    Shredded, woven New York Times Magazines from Oct. 30, 2022: “The New World: Envisioning a Future After Climate Change,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  40. Signs of optimism/ Not arguments for complacency/ Higher standards/ Devoted to repair by Tali Weinberg, Image 1.

    Tali Weinberg

    Signs of optimism/ Not arguments for complacency/ Higher standards/ Devoted to repair, 2024

    Shredded, woven New York Times Magazines from Oct. 30, 2022: “The New World: Envisioning a Future After Climate Change,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

  41. Heat Waves by Tali Weinberg, Image 1.

    Tali Weinberg

    Heat Waves, 2023

    173 years of annual average temperature data for land and oceans, plant fibers, plant and insect dyes, and petrochemical-derived fishing line

    72 x 72 in

  42. Linger here in the middle of the story/ Time itself smeared by Tali Weinberg, Image 1.

    Tali Weinberg

    Linger here in the middle of the story/ Time itself smeared, 2024

    Shredded, spun, woven New York Times Magazines from Feb. 26, 2023: “Three years later, we still don’t know how to talk about what happened,” embroidery thread, fragments of text saved from the cover article

    11 x 9 in

Artists on view

Karey Kessler • Tali Weinberg