Venice

Venice, 2013

archival pigment print

22 x 18 x 1 in (framed)

$600

Impression XV, 2013

archival pigment print

22 x 18 x 1 in (framed)

$425

Impression IX - The Arsenale, 2013

archival pigment print

18 x 22 x 1 in (framed)

$425

Impression X by Susan Moldenhauer, Image 1.

Impression X, 2013

archival pigment print

18 x 22 x 1 in (framed)

$425

Impression I, 2013

archival pigment print

16 x 14 x 1 in (framed)

$375

Venice Construction I, 2014

archival pigment print

15.5 x 20.5 x 1 in

$525

Venice Construction II, 2014

archival pigment print

15.5 x 20.5 x 1 in

$525

Venice Construction III, 2014

archival pigment print

15.5 x 20.5 x 1 in

$525

Venice Construction with Margaret I, Image 1.

Venice Construction with Margaret I, 2014

archival pigment print

15.5 x 20.5 x 1 in

Venice Construction with Margaret II, Image 1.

Venice Construction with Margaret II, 2014

archival pigment print

15.5 x 20.5 x 1 in

$525

About Venice

For Sequencing Through Time and Place, artist Wendy Bredehoft, dancer/choreographer Margaret Wilson and I occasionally travel to locations beyond Wyoming to advance our creative work together. For me, Venice was of interest in part because the University of Wyoming Art Museum has in its collection a painting of Venice by Thomas Moran. Moran, known more widely for his paintings of the American West, offered an entry point for me to think about working in Venice through luminescent explorations of light. The Venice Construction works are mounted on bamboo. The other works are archivally matted in white metal frames.