Venice

  1. Venice, Image 1.

    Venice, 2013

    archival pigment print

    22 x 18 x 1 in (framed)

    $600

  2. Impression XV, Image 1.

    Impression XV, 2013

    archival pigment print

    22 x 18 x 1 in (framed)

    $425

  3. Impression IX - The Arsenale, Image 1.

    Impression IX - The Arsenale, 2013

    archival pigment print

    18 x 22 x 1 in (framed)

    $425

  4. Impression X by Susan Moldenhauer, Image 1.

    Impression X, 2013

    archival pigment print

    18 x 22 x 1 in (framed)

    $425

  5. Impression I, Image 1.

    Impression I, 2013

    archival pigment print

    16 x 14 x 1 in (framed)

    $375

  6. Venice Construction I, Image 1.

    Venice Construction I, 2014

    archival pigment print

    15.5 x 20.5 x 1 in

    $525

  7. Venice Construction II, Image 1.

    Venice Construction II, 2014

    archival pigment print

    15.5 x 20.5 x 1 in

    $525

  8. Venice Construction III, Image 1.

    Venice Construction III, 2014

    archival pigment print

    15.5 x 20.5 x 1 in

    $525

  9. Venice Construction with Margaret I, Image 1.

    Venice Construction with Margaret I, 2014

    archival pigment print

    15.5 x 20.5 x 1 in

  10. Venice Construction with Margaret II, Image 1.

    Venice Construction with Margaret II, 2014

    archival pigment print

    15.5 x 20.5 x 1 in

    $525

For Sequencing Through Time and Place, artist Wendy Bredehoft, dancer/choreographer Margaret Wilson and I occasionally travel to locations beyond Wyoming to advance our creative work together. For me, Venice was of interest in part because the University of Wyoming Art Museum has in its collection a painting of Venice by Thomas Moran. Moran, known more widely for his paintings of the American West, offered an entry point for me to think about working in Venice through luminescent explorations of light. The Venice Construction works are mounted on bamboo. The other works are archivally matted in white metal frames.

Want to favorite a piece or view past favorites?