Chasing Daylight began with my fascination with the fleeting quality of light, the moment when the landscape is still quiet and the first warmth of the sun begins to change what we see. I was drawn to the way orange and pink light can transform a familiar mountainscape, revealing new relationships between color, form, and space.
As with much of my work, I’m less interested in depicting the landscape literally than in breaking it apart and rebuilding it through geometric form. The mountains become a framework for exploring balance, rhythm, and the movement of light across a place.
Chasing Daylight is ultimately about that brief transition between darkness and illumination, and the feeling of possibility held within those first moments of the day.