Pyramid Atlantic

PRESS ON: A Juried Exhibition of the Art of Letterpress from Pyramid Atlantic

On View: May 30–July 20, 2025
Jurors: Celene Aubry, Hatch Show Print, and Allison Tipton, Globe Collection and Press at MICA


Artists from all over the US, with additional participants from Canada, France, and Japan,
are featured in this exhibition that celebrates letterpress as a powerful medium for artistic expression. In ad
Jurors Celene Aubry, Hatch Show Print (TN), and Allison Tipton, Globe Collection and Press at MICA (MD) had the difficult job of selecting from over 400 entries. The resulting show features a wide range of formats, including artist books, work on fabric, vinyl, and paper. The content ranges from political to inspiration
To accommodate the size of the exhibition, Pyramid is utilizing newly opened space within its facility. The additional space is currently in a planning phase for future use, but the Pyramid team is very excited to have an extra large gallery to showcase the Press On works.

Letterpress printing dates back to Johannes Gutenberg’s invention of a printing press with movable type in the 1450s. Letterpress printing remained commonly used until the 1950s, when further automation processes made offset printing more favorable. By the 1980s, letterpress machine and type ma
 
Kennedy Adams | Jody Arthur | Lauren Bailey | Frank Baseman | Andre Lee Bassuet | Molly Berkson | Rick Black | Black Rock Press with: Zach Clark, Jayna  Conkey, Josh Dannin, AB Gorham, Tanya  Gutierrez, Meghan Pohlod, Kelsey  Reiman, Thea  Sizemore, Jessica  Spring, Phoebe Todd-Parrish | Sara B

Celene Aubry, Hatch Show Print:

Celene is the Director and Print Shop Manager at Hatch Show Print, one of America’s oldest surviving letterpress show poster and design shops. While the business thrives as a letterpress poster and design shop, expanded programming includes a visiting artist program, a gallery periodically show

Allison Tipton, Globe Collection and Press at MICA

Allison is a designer and letterpress printer from Baltimore, Maryland. She is the manager of the Globe Collection and Press at MICA (Maryland Institute College of Art). As a student she fell in love with printmaking while earning her BFA is graphic design at MICA and was bitten by the DayGlo l
  • Alisa Golden, Where’s Owl, 2023, Art quilt- letterpress printed on cotton
  • Aya Masumoto, Heartbeat, 2023, Letterpress artist book
  • David Wolske, Polysynthesis No. 1,   2021/22, Relief and letterpress from movable wood and metal type

Jurors’ Statement:

“Press On is a resounding, vibrant, thoughtful, poignant, and delightful statement that indeed, letterpress printing is not dead. There are more “stories” than there are artists represented on the walls at Pyramid Atlantic Art Center this summer, and I am honored to have been able to see so much incredi
As a fellow printer, used to mixing ink and making ready and cranking cranky old printing presses myself, the award winners stood out as creators whose work continues to push the medium, using familiar tools in new ways, or in the case of two of these artists, working in an additional medium or
I am humbled to have been able to view all of the work in this show, and I am certainly inspired!”

 

By Celene Aubry, Hatch Show Print and on behalf of Allison Tipton, Globe Collection and Press at MICA, June 2025


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THE REVIEWS:

Read two reviews of the Press On exhibition,  by Stephanie Rudig in the Washington City Paper and Mark Jenkins in his Substack newsletter, DisCerning Eye.

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Moholy-Nagy Homage by Richard Kegler
  • Richard Kegler
  • Moholy-Nagy Homage, 2024
  • Letterpress relief print
  • 18 x 12 in

This is Richard Kegler's homage to László Moholy-Nagy. “The Moholy Trinity” started with his 1922 D IV painting as main reference point. All shapes were found wooden blocks which were arranged in approximate alignment of the original, but layered somewhat differently. Two additional prints were made with the same shapes and ink colors but on two different colored paper stocks and a shifting arrangement. The same inks act differently on different stocks with varying degrees of opacity.

Letterpress printed by hand in 9 colors/impressions each
signed and numbered edition of 25 each

Brown:
12” x 18”
French Speckletone Brown 100# cover

Artist Bio
As an experimental letterpress printer, my work is a constant exploration of the boundaries of traditional printmaking techniques and the innovative potential of the letterpress process. While rooted in the centuries-old art of letterpress printing, I push its limits by manipulating materials, experimenting with texture, and reimagining how type and image can coexist on the page.

The intersection between Fine Art and Graphic Design has always influenced my work. Undergraduate work in printmaking and bookbinding, solidified my interest in the traditional book-arts. My graduate work in Media Study led to type design and the founding of P22 Type Foundry. I helped establish the Western NY Book Arts Center in 2008. At Wells College (2014–2019), I directed the Book Arts Program. In these 3 years since selling off P22, I have established the Dry Inc letterpress printing studio.

https://www.instagram.com/insta.dry.inc/