Weed-soot ink printed from a Norway Maple block onto Common Reed paper
11 x 11 in
Patterson Clark
Ark, 2022
Weed-soot ink printed from a Norway Maple block onto Common Reed paper
11 x 11 in
Lauren Kussro
Beauty Invades, 2022
screenprint on translucent yupo
11 x 11 in
Lauren Kussro
Beauty Invades, 2022
screenprint on translucent yupo
11 x 11 in
Marty Ittner
Blue Catfish, 2022
photolithography and wet cyanotype
22 x 11 in
Marty Ittner
Blue Catfish, 2022
photolithography and wet cyanotype
22 x 11 in
Sheila Goloborotko
Botryllus Schlosseri, 2022
screenprint on masa
11 x 11 in
Sheila Goloborotko
Botryllus Schlosseri, 2022
screenprint on masa
11 x 11 in
Marilee Salvator
C. Mutabilis #1, 2022
relief photopolymer gravure, monotype
11 x 11 in
Marilee Salvator
C. Mutabilis #1, 2022
relief photopolymer gravure, monotype
11 x 11 in
Ann Manuel
Carcinus marnus (linnaeus), 2022
relief
11 x 11 in
Ann Manuel
Carcinus marnus (linnaeus), 2022
relief
11 x 11 in
Ann and Caroline Zellhofer
CareTaker, 2022
monoprint
11 x 11 in
Ann and Caroline Zellhofer
CareTaker, 2022
monoprint
11 x 11 in
April Flanders
Causal Nexus from the Concatentation series, 2020
monotype, cut paper, gouache
12 x 9.75 x 2.5 in
April Flanders
Causal Nexus from the Concatentation series, 2020
monotype, cut paper, gouache
12 x 9.75 x 2.5 in
April Flanders
Cede, 2022
monotype and screenprint
6 x 6 in
April Flanders
Cede, 2022
monotype and screenprint
6 x 6 in
April Flanders
Change, 2022
monotype and screenprint
6 x 6 in
April Flanders
Change, 2022
monotype and screenprint
6 x 6 in
Elizabeth Jean Younce
Coastal Southern California, 2022
lithography & serigraphy
11 x 11 in
Elizabeth Jean Younce
Coastal Southern California, 2022
lithography & serigraphy
11 x 11 in
April Flanders
Commute, 2022
monotype and screenprint
12 x 12 in
April Flanders
Commute, 2022
monotype and screenprint
12 x 12 in
April Flanders
Corollary Denouement, 2020
monotype, cut paper, gouache
14 x 7.75 x 2.5 in
April Flanders
Corollary Denouement, 2020
monotype, cut paper, gouache
14 x 7.75 x 2.5 in
Mary Sherwood Brock
Cruel Necessity, 2022
lithograph with intaglio and drypoint
22 x 11 in
Mary Sherwood Brock
Cruel Necessity, 2022
lithograph with intaglio and drypoint
22 x 11 in
April Flanders
Dislocate, 2022
monotype and screenprint
6 x 6 in
April Flanders
Dislocate, 2022
monotype and screenprint
6 x 6 in
April Flanders
Displace, 2022
monotype and screenprint
8 x 8 in
April Flanders
Displace, 2022
monotype and screenprint
8 x 8 in
April Flanders
Exchange, 2022
monotype and screenprint
8 x 8 in
April Flanders
Exchange, 2022
monotype and screenprint
8 x 8 in
April Flanders
Expel, 2022
monotype and screenprint
6 x 6 in
April Flanders
Expel, 2022
monotype and screenprint
6 x 6 in
April Flanders
Filter, 2019
monotype, screenprint, laser cut paper
April Flanders
Filter, 2019
monotype, screenprint, laser cut paper
Fleming Jeffries
Haunted Hulls, 2022
photolithography and etching on Black Arches
11 x 11 in
Fleming Jeffries
Haunted Hulls, 2022
photolithography and etching on Black Arches
11 x 11 in
Sandra Murchison
Horton Bay, 2022
relief print on sewn fabric
11 x 11 in
Sandra Murchison
Horton Bay, 2022
relief print on sewn fabric
11 x 11 in
Eveline Kolijn
Invading Familiars and Strangers, 2022
Etching and linocut
22 x 11 in
Eveline Kolijn
Invading Familiars and Strangers, 2022
Etching and linocut
22 x 11 in
Anita Jung
Lamprey, 2022
relief and screenprint
11 x 11 in
Anita Jung
Lamprey, 2022
relief and screenprint
11 x 11 in
Tanja Softic
Mnemiopsis leidyi, 2022
photopolymer etching, collage
11 x 11 in
Tanja Softic
Mnemiopsis leidyi, 2022
photopolymer etching, collage
11 x 11 in
Rachel Singel
Pacific Barnacle (Balanus glandula), 2022
intaglio on handmade paper made from yellow flag iris
11 x 11 in
Rachel Singel
Pacific Barnacle (Balanus glandula), 2022
intaglio on handmade paper made from yellow flag iris
11 x 11 in
Julie Wolfe
Phyllorhiza punctata, 2022
screenprint
22 x 11 in
Julie Wolfe
Phyllorhiza punctata, 2022
screenprint
22 x 11 in
April Flanders
Precipitate, 2020
monotype, cut paper, gouache
6.25 x 5.75 x 2.5 in
April Flanders
Precipitate, 2020
monotype, cut paper, gouache
6.25 x 5.75 x 2.5 in
April Flanders
Prolific Ingress, 2022
monotype and screenprint
11 x 11 in
April Flanders
Prolific Ingress, 2022
monotype and screenprint
11 x 11 in
April Flanders
Recast, 2022
monotype and screenprint
8 x 8 in
April Flanders
Recast, 2022
monotype and screenprint
8 x 8 in
April Flanders
Replace, 2022
monotype and screenprint
6 x 6 in
April Flanders
Replace, 2022
monotype and screenprint
6 x 6 in
April Flanders
Replace 2, 2022
monotype and screenprint
6 x 6 in
April Flanders
Replace 2, 2022
monotype and screenprint
6 x 6 in
Michelle Rozic
Sargassum horneri: Devil Weed, 2022
screenprint
11 x 11 in
Michelle Rozic
Sargassum horneri: Devil Weed, 2022
screenprint
11 x 11 in
April Flanders
Shift, 2022
monotype and screenprint
6 x 6 in
April Flanders
Shift, 2022
monotype and screenprint
6 x 6 in
April Flanders
Stabilize, 2022
monotype and screenprint
6 x 6 in
April Flanders
Stabilize, 2022
monotype and screenprint
6 x 6 in
April Flanders
Surrender, 2022
monotype and screenprint
8 x 8 in
April Flanders
Surrender, 2022
monotype and screenprint
8 x 8 in
April Flanders
Transfigure, 2022
monotype and screenprint
12 x 12 in
April Flanders
Transfigure, 2022
monotype and screenprint
12 x 12 in
April Flanders
Transform, 2022
monotype and screenprint
12 x 12 in
April Flanders
Transform, 2022
monotype and screenprint
12 x 12 in
April Flanders
Transmute, 2022
monotype and screenprint
8 x 8 in
April Flanders
Transmute, 2022
monotype and screenprint
8 x 8 in
Alanna Baird
Tunicate, 2022
linoleum reduction cut
11 x 11 in
Alanna Baird
Tunicate, 2022
linoleum reduction cut
11 x 11 in
Irena Keckes
Undersea World: Vanishing of Coral, 2022
embossment, linoleum cut print and sewing
11 x 11 in
Irena Keckes
Undersea World: Vanishing of Coral, 2022
embossment, linoleum cut print and sewing
11 x 11 in
Beth Fein
Uninvited, 2022
photo etching with chine collé and letterpress blind embossment
11 x 11 in
Beth Fein
Uninvited, 2022
photo etching with chine collé and letterpress blind embossment
11 x 11 in
April Flanders
Yield, 2022
monotype and screenprint
8 x 8 in
April Flanders
Yield, 2022
monotype and screenprint
8 x 8 in
Artists on view
Alanna Baird • Lorraine Beaulieu • Mary Sherwood Brock • Patterson Clark • Tallmadge Doyle • Beth Fein • April Flanders • Sheila Goloborotko • Melissa Harshman • Marty Ittner • Fleming Jeffries • Anita Jung • Irena Keckes • Eveline Kolijn • Lauren Kussro • Ann Manuel • Sandra Murchison • Michelle Rozic • Marilee Salvator • Rachel Singel • Tanja Softic • Julie Wolfe • Elizabeth Jean Younce • Ann and Caroline Zellhofer
On View: October 15–November 13, 2022
ALTERED ENVIRONMENTS shares colorful and sumptuous prints, cut paper pieces, and installations addressing the issues of marine bio invaders. Works by North Carolina-based artist April Flanders are at the center of this exhibition, flanked by a print portfolio featuring 24 additional artists from the United States and Canada. Collectively these works address the breadth of the aquatic environment - a complex and fragile ecosystem under daily threat from multiple forces.
“ALTERED ENVIRONMENTS creates a conversation between art and science to highlight the issue of marine bioinvaders; species that have expanded beyond their natural range in the aquatic environment,” explains Flanders. “We do not fully understand the ramifications of globalization. One consequence is the uninhibited exchange of plant and animal organisms across natural boundaries … I create work where viewers are confronted by the destructive organisms and globalized landscapes they are complicit in generating. In this time of rapid environmental flux, my work confronts a complicated issue.”
The centerpiece of the exhibition is the installation Filter. Filter takes up two gallery walls and measures over 26 feet. The installation comprises over 2,000 tiny, individually cut monotypes in sea hues. This installation addresses two aquatic invasive species; zebra and quagga mussels, which have invaded the Great Lakes and are moving inexorably across North American freshwaters. These colonizing filter feeders disrupt the food web, damaging fisheries and creating unhealthy algal blooms. This piece reflects the fragility of this once abundant ecosystem by contrasting the delicate nature of plankton and native algae with the vigorous life cycle of these prolific mussels.
Flanders is a studio artist living and making in the mountains of Western North Carolina. A keen naturalist, her work has been featured in solo and group shows at museums and galleries nationally and internationally, including the Katzen (Washington, D.C.), Center for the Book Arts (New York), and the Global Print International (Douro, Portugal). Her work is in many public collections, including the Asheville Museum of Science, the Scottsdale Museum of Contemporary Art, and the Tucson Museum of Art. Flanders holds a Master of Fine Arts from Arizona State University and she has taught printmaking for fourteen years at various universities nationally and internationally. Currently, she is a professor of studio art at Appalachian State University in Boone, North Carolina.
ARTISTS FEATURED IN THE PORTFOLIO:
Alanna Baird, Lorraine Beaulieu, Mary Sherwood Brock, Patterson Clark, Tallmadge Doyle, Beth Fein, April Flanders, Sheila Goloborotko, Melissa Harshman, Marty Ittner, Fleming Jeffries, Anita Jung, Irena Keckes, Eveline Kolijn, Lauren Kussro, Ann Manuel, Sandra Murchison, Michelle Rozic, Marilee Salvator, Rachel Singel, Tanja Softic, Julie Wolfe, Elizabeth Jean Younce, Ann Zellhofer and Caroline Zellhofer
* * *
This exhibition is made possible in part through support from Maryland-National Capital Park and Planning Commission, Department of Parks and Recreation, Prince George’s County.