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Abstract art reached its zenith in the 1950s and 60s when Miriam was studying art at the University of Alabama for undergraduate work and later post-graduation at the Art Students League in New York City. Much of her student work is abstract and her instructors, like Mark Rothko, would go on to define the American school of Abstract Expressionism. This collection shows some of Miriam's abstract work from that mid-century period.
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