Following the structural taxonomy established in Descriptions, Dialogues marks the next phase in the Process Series—moving from unilateral, descriptive reduction to a sublimation of the artistic exchange.
Where Descriptions dissected physical objects into data and metadata, Dialogues abstracts the conversational dynamics, theoretical debate, and internal commentary surrounding art and life. By rendering exchanges—ranging from philosophical assertions on time and art to fragmented everyday observations—into distinct typographic fields and color blocks, the work isolates the mechanics of thought and agreement.
The series visualises abstraction as a social and intellectual process: a zooming in and out of shared concepts that highlights both the necessity of dialectic exercise and the potential danger of closing oneself off into rigid, echo-chambered certainty.
