The Process Series explores the mechanics of abstraction—not as an escape into mysticism, but as an analytical operation of dissection, zooming, and structural reconfiguration.
Descriptions, the first subseries within this framework, comprises 42 works that examine the primary layer of this process: the translation of physical reality into language and typographic form. By isolating dimensions, materials, colors, and spatial arrangements into objective, textual descriptions, the works examine how reality is filtered through systems of focus and cognitive reduction.
Instead of presenting the physical object, the series presents its conceptual blueprint. The text blocks—rendered in precise typographic layouts and specific color fields—occupy a space between raw data and visual form. Descriptions questions where the boundary lies between an object, its perception, and its theoretical representation, serving as the foundational anchor before further conceptual sublimation in the Process Series.
