Where traditional photography captures three-dimensional depth, the Surfaces series isolates flat planes, tonal boundaries, and hard-edge geometric shifts found within built environments. By framing micro-interactions between material fields—a yellow wall marked by parallel lines, the stark division of a curved reflector, or the contrast between matte paint and dark void—the camera strips spatial context down to pure composition.
Mounted on photographic paper, acrylic, and aluminum, these works investigate the tension between physical reality and abstract form. Everyday architectural fragments and industrial fixtures are unmoored from their utilitarian function, re-emerging as precise studies in color fields, geometric divisions, and light reflections. Surfaces challenges the viewer to perceive the immediate environment not as a sequence of functional objects, but as an ongoing assemblage of tactile, visual planes.
