Sacramento Meditations, Part I. Who Damned All the Rivers - Outtake, 1976-77
Harrison Studio
Marshall photo oil on mounted photographic print
90 x 72
Inv: HS1135
Available
Location: Unit 18
I. WHO DAMMED ALL THE RIVERS
DYKING CHANNELING PUMPING THE WA-
TERS DIVERTING THE FLOW OF THE SAN
JOAQUIN AT FRIANT AND THE SACRAMENTO
AT THE DELTA LIMITING THE FLUSHING
OF THE DELTA AND THE BAYS CRISSCROSSING
THE CENTRAL VALLEY WITH DITCHES AND
CANALS
WHO DAMMED ALL THE RIVERS AND MOST OF
THE CREEKS THAT FLOW INTO THE DELTA AND
THE BAYS
WHO DAMMED THE SACRAMENTO
THE TRINITY THE MCCLOUD THE PITT
FALL CREEK HAT CREEK COW CREEK
STONY CREEK BATTLE CREEK PUTAH
CREEK BUTT CREEK
WHO DAMMED THE FEATHER ON THE NORTH
FORK THE SOUTH FORK THE WEST BRANCH
AND ALL THE BRANCHES OF THE YUBA AND THE
BEAR
WHO DAMMED OREGON CREEK CANYON
CREEK FRENCH DRY CREEK THE SOUTH
FORK AND THE MIDDLE FORK OF THE AMERICAN
WHO DAMMED THE RUBICON BRUSH
CREEK SILVER CREEK TELLS
CREEK GERLE CREEK DRY CREEK
AND MOKELUMNE THE STANISLAUS
THE TUOLUMNE ANGEL CREEK CHERRY CREEK
SULLIVAN CREEK DAMMING AND REDAMMING
THE MERCED THE SAN JOAQUIN THE
KINGS THE KAWEAH THE KERN
- Sacramento Meditations (Group Exhibition) , Verge Center for the Arts, Sacramento, CA , June 11, 2015 - August 16, 2015
- Talking Water (Solo Exhibition) , Ronald Feldman Gallery , March 29, 1980 - April 05, 1980
- The Floating Museum - Water Works: In the Media and Around Town (Group Exhibition) , The Floating Museum
- From the Lagoon Cycle; From the Meditations (Solo Exhibition) , Portland Center for Visual Arts, Portland, Oregon
- Options IV: Helen and Newton Harrison/Talking Water (Solo Exhibition) , MCA Chicago
- From the Lagoon Cycle: From the Meditations (Group Exhibition) , San Francisco Art Institute
- The Meditation (Solo Exhibition) , SF MOMA
Subject Matter: Map
Condition: Very Good
Overall Condition: Very Good Canvas & Support: Canvas is structurally sound. The right edge is missing its hem, while the remaining edges remain intact. Media & Surface: The surface is exceptionally clean with no evidence of media loss, flaking, or surface abrasion.
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