Her public art practice is rooted in the site’s terrain and explores the relationships between the architectural ecosystem and the community using a variety of materials including painted murals, vinyl wrap murals, light-based free-standing fiberglass sculpture, and free-standing stainless-steel sculpture. Often, her work engages with the narratives of diverse, multiracial communities whose stories and needs have historically been marginalized. Landscape memory and wildlife habitats are vital undercurrents that oversee the transformation of her work into embedded natural elements that function to support local ecosystems. She has produced numerous large-scale, site-specific works of public art for public and private institutions like: the Underwater Museum of Art, the Arts Council for Long Beach, Casa de Artistas Creadores (Cuba), City of Chandler, Town of Gilbert, and Boise City.
As a writer, she has participated on panels as an invitee at literary conferences in Cuba, Guatemala, Mexico, and Peru. In 2019, her first full book of poetry, La frontera desemboca en ti, was published in Guatemala by Cafeína Editores publishing house. Her poetry was featured in the anthology Salt Boundaries (Syria, 2017) and has been published in literary magazines like Ek Chapat (Mexico, 2019), Bistró (México, 2018), Protest Magazine (U.S.,2018), and Şiirden (Turkey, 2016). She also served as associate editor at La Casita Grande Editores, a bilingual publishing house focusing on experimental literature from Latin America. She currently lives in Oklahoma, where she continues to paint and is working on her second manuscript.
