When my father abruptly passed away a few years ago, I decided to forge an authentic though unconventional and discouraged path, by leaving my job in brand strategy consulting to spend a lifetime in cultural and community work. The lack of representation of Asian American women in art and in new media in particular motivates me to direct my voice, wit, and agency to share my perspectives and uphold space for folks so often left unaccounted in dominant cultural spaces.
I distill clear beliefs within myself in order to respond with tact and agility to the issues we see in the world. I want to serve thoughtful, medium-agnostic responses to what folks need, in context of ecological grief, interracial support, anticapitalist values, and medicine against hopelessness. As an involved member of the local cultural organization NAVEL, I created the immersive web + augmented reality project Requiem for Lost Plants honoring the Indigenous plant elders here, and hosted an experimental learning group called Digital Matterealities which culminated into a public knowledge board as well as a group show on domestic intimacy amidst the pandemic. As a resident artist at CultureHub, I ran an animist workshop called Interspecies Speed Dating, and created Open Garden, an interactive garden plot livestreamed by solar onto the decentralized web, experimenting with the potentiality of our online attention and the labor of digital sovereignty. I am also the co-founder and co-organizer of virtual care lab, an open collective for genuine presence and creative collaboration based on mutual governance. I currently teach a media design course at Sarah Lawrence College (practicing a nonhierarchical, student-led model) and have given guest lectures on relational ecology, DIY community building, and digital commoning at CalArts, MICA, Pepperdine University, Emerson College, USC Media Arts and Practice, University of Toronto, Emily Carr University, CAA New Media Conference and 3HD Festival.