This open edition risograph comes from the digital sketch for the installation: All of the things I have ever lost.
The risograph process relates to cheap mass production, directly connecting to the materiality of the suspended installation.
Composed of many thousands of fragments of post-consumer plastic, the installation subtly suggests the form of a whale and stretches over 12m in height. It was commissioned by Saarlandmuseum Moderne Galerie for the solo exhibition Joy in the Pain, in 2021, and is now part of the museum's permanent collection.
