Fortnum and Mason, 2018

Fortnum and Mason
The Fortnum and Mason painting's a busy painting this one. Lots of colour and texture everywhere. Two main colours dominate, orange/brown and blue/green.
The scene is Fortnum and Mason on Piccadilly, a long-established, respectable firm with a reputation reaching back a few centuries to 1707. The Clock dominates and looks incongruous - French Louis XVI style against English neoclassical. They jar.
You'd be forgiven for thinking the clock was ancient, part of the long history of the building but you'd be wrong. It first appeared in 1964 and quickly became a recognisable feature of the store. Located, as it is, in such a prominent location of of the main entrance, you'd be hard pushed to miss it.
In contrast, the sculpture below King and Queen by Lynn Chadwick is a newcomer, a positive up-start. It was a temporary feature in 2016 when art came to the London store courtesy of Frank Cohen.
I love the contrast between the curlicues of the clock the dated baroque style in contrast to the Modernist angular shapes of the King and Queen. Mottled green texture besides gilded flourishes, pastel green with painted details of lush green and red. Top that with a profusion of gold. The building itself is ordered and regimented above but descends into flourishes and flounces below the awning. Colours ranging from brick reds, plum purples and ice blues and far too much viridian than should ever be allowed in any single painting.
The clock itself is beyond description. Kitch in the extreme, it has a feeling of over the top extravagance. The pastel green with white details and gilding. The ridiculous curls on the hands make them approaching impossible to read, and the two figures of the founders themselves could come from a performance of the Nutcracker Suite. If you look carefully you can make out the letters F and M on the 2 owls which perch atop the little doorways.
All too twee to be believed.