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Alexandra Carter: The Mother Shell from Alexandra Carter
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I paint the female body in states of transformation—pregnancy, birth, postpartum—to reveal the visceral realities of motherhood. I want to know how this experience consumes, ruptures, and remakes the self. I’m drawn to the monstrous feminine—the reproductive body as both feared and revered, vola
- Alexandra Carter
- Bona Dea, 2020
- Ink and image transfer on drafting film
- 42 x 29 in
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$2,400
Paleolithic fertility figures inspire me with their exaggerated curves and their enduring presence across time and geography. I extend these archetypal forms by incorporating image transfers of berries from my family’s cranberry farm. This layering of imagery reflects the interconnected fertility of the body, the earth, and my personal heritage, creating a dialogue between ancient symbols and contemporary roots.
“Bona Dea” translates to “Good Goddess” in Latin and refers to a Roman deity associated with fertility, healing, virginity, and the earth. Her true name was considered sacred and never spoken publicly, and her worship was exclusively reserved for women. Bona Dea was particularly venerated in the context of women’s health and fertility, and her cult emphasized purity and protection. Offerings to her often included wine, euphemistically referred to as "milk," to maintain her modest and virtuous associations.