This etching based on the work of Edward Henry Corbould hopes to capture the essence of the theological struggle between Jesus and the Scribes and Pharisees.

Jesus’ statement “If any one of you is without sin, let him be the first to throw a stone at her” is found in John 8:7. Jesus was teaching in the temple when the scribes and Pharisees brought to Him a woman who had been caught in the act of adultery, and they asked Him if she should be stoned as required by the Law of Moses. However, they cared nothing about this woman; they were using her to trap Jesus. In their minds, if He told them to set the woman free, they could claim He did not hold to the Law of Moses. If He told them to stone her, they could claim He was not the Savior; and, if He said nothing, they could claim He lacked wisdom. Jesus did not answer immediately but stooped and wrote something on the ground, and they kept pressing Him. Finally, the Lord said, in essence, “Go ahead and stone her because that is what the Law requires. But the Law also requires that the first stone be thrown by a person who is sinless in connection with this charge” (John 8:6–7).

There is no doubt that this woman was guilty of a capital offense and that the Law required that she be stoned, but the Law also required that the guilty man be stoned as well (Deuteronomy 22:22), that witnesses be produced, and that a witness begin the execution. But the Jewish leaders came with venom against Jesus and were thwarted by their own single-minded hate. They did not produce the guilty man, and they were unwilling or unable to produce the required witnesses. We do not know what Jesus wrote, but, after He wrote a second time, the Jews left one by one, from the oldest to the youngest, without saying another word. Jesus then set the woman free with a warning to her to sin no more.

Born in London, he was son of Henry Corbould and grandson of Richard Corbould, both painters. He was a pupil of Henry Sass, and a student at the Royal Academy Schools. in 1851 he was appointed instructor of historical painting to the Royal Family. He continued to teach its members for twenty-one years.