This Vera Neumann work from 1967 demonstrates her exploration of Pop Art and geometric abstraction, blending collage techniques with clean, modernist shapes. The piece features a vibrant color palette dominated by bold reds, yellows, and blues, with the structured arrangement of forms suggesting Neumann's keen sense of design.

Composition: The design is highly geometric, employing rectangles, squares, and triangles that interact with one another across the canvas. A dark blue, almost navy shape at the top resembles a stylized hat or abstract form. Other key elements include a grid-like pattern in a vertical strip and a circular cutout that creates visual balance.

Materials: The work incorporates cut paper collage and an acetate overlay, enhancing depth and dimensionality. The use of acetate allows for a layered effect, with shapes and colors seemingly floating or interacting above the paper base. This technique reflects the era's experimentation with new materials and approaches to art-making.

Color: The rich red background contrasts sharply with the white, yellow, and blue geometric forms. This bold, limited color palette aligns with Pop Art's typical use of bright, flat colors, making the work visually striking and energetic.

Style: Vera's approach here blends modernist minimalism with the playful, graphic qualities of Pop Art, a movement gaining prominence in the 1960s. Her characteristic design sensibilities—often seen in her textiles and prints—translate beautifully into this fine art medium, showcasing her versatility.

Overall, the artwork is a fine example of Vera Neumann’s ability to merge art and design, offering a bold, structured composition while maintaining a sense of playfulness and innovation through her use of materials and color.