In my abstract work “Vibration of Dislocation” I explore a state of transition—between spaces, conditions, and perception. Rhythmic lines and layered streams of color create a sense of movement, as if the form is in constant transformation. Translucent structures evoke fragments of memory or traces of digital signals, where reality dissolves and reassembles.
Color functions here as energy: it pulses, flows, and sets the inner rhythm of my composition. The work does not fix a point but conveys a process—continuous displacement in which the viewer becomes part of this vibrating space.