In The Howling, a seemingly ordinary campfire becomes a symbol of human carelessness—left untended, it grows dangerous, its embers licking outward into the darkened forest. The animals emerge in a spectral assembly, their collective outcry rising against the quiet threat we’ve introduced into their world. Light threads through layered patterns and muted tones, revealing their ghostlike forms as both witnesses and warnings. Embedded within the work, the phrase “Crimes Against Nature” lies hidden, inviting viewers to look deeper into the consequences of our smallest, most casual actions.