The series of quick sketches from the nude model, “NU-ances,” explores the fragile balance between form and sensation, where the body becomes not an object, but a process of observation. The line does not fix but breathes—broken, searching, at times barely there, as if the artist fears disturbing the moment.
Color functions as vibration rather than description, conveying an inner state instead of anatomy. Soft, almost iridescent patches create a shifting surface where the body dissolves into light and re-emerges. In these works, not precision but intonation matters—the nuance of gesture, tilt, and gaze.
The title “NU-ances” plays on a double meaning: both a reference to the nude genre and to the multiplicity of subtle differences that arise with each quick touch of paper. Each piece is not a finished image, but a trace of presence—an attempt to capture the elusive boundary between the physical and sensory perception.