Chris Robinson’s work involves the experiential investigation of contemporary science and technology as the prime impetus to the expansion of the art idea. The work manifests itself in learning drawings, document about experience, and sculptural installations. These activities have led to unique working relationships with the military, aerospace industry, and National Aeronautics and Space Administration.

Wolf is one of a series of investigations of military aviation as a foundation study for art’s potential role in aerospace exploration. The series document experience, in part, by using the artist as a visual vehicle for empathetic association. Formally, Wolf was an experimental form of drawing involving electrographic overlays of manipulated photographic images. This process uses current, information industry technology as a means for informational art.