“GREED” keeps the viewer wanting. The second deadly sin faults the materialistic--the palette is overwhelmingly hungry--and sparks a vision of the finer things. Not concerned with swapping the tacky for the luxe, “GREED” harbors a background of Naples yellow with neon ink in blue, green, pink, and orange peeking through the luxurious forefront of emerald, gold, and silver. Childish in nature, neon ink cheapens the entire palette. Is that a symptom of desire?