One of the artist’s final and most expressive still lifes, Natura morta (2014) features Gamberini’s hallmark blend of abstraction and figuration. The composition transforms slices of apple into monumental, sculptural forms, painted in intense shades of crimson, chartreuse, and ivory against a lilac-grey field. Executed with bold, confident strokes, this work captures the vitality of organic form and colour at the end of a prolific career. It stands as a powerful testament to Gamberini’s painterly vision and late stylistic clarity.