Self Remembering Itself explores abstraction as a recursive process of memory and awareness. Built around a circular, spiraling motion of blues, reds, and whites, the painting suggests movement that folds inward rather than progressing outward. Gestures overlap and re-enter themselves, evoking memory as nonlinear and embodied. Color functions as an internal dialogue, with cool and warm tones interpenetrating rather than opposing. A central pause within the motion allows awareness to gather. Intimate in scale, the work invites close looking and enacts self-recognition through movement, drawing on abstract expressionism, Indian modernism, and the idea of painting as a form of thinking.