In Silent Orbit, motion and stillness merge into a single, resonant field. Circles of ochre, violet, and gold move across the surface in measured rhythm, their paths drawn by string rather than brush, translating gesture into vibration. The composition evokes celestial movement while remaining deeply inward, contemplative rather than expansive. Each curve feels deliberate yet surrendered, a record of repetition, resistance, and release. Texture holds time, catching light and turning motion into presence. Silence here is active — a hum beneath the surface — suggesting cycles of thought, creation, and return, where equilibrium emerges through continuous, quiet motion.