In this work, I use a chine collé method to attach screenprinted pieces onto paper, applying starch paste to cut forms that I often crumple beforehand so they relax into an organic, continuous movement. These textured elements create subtle shifts in light, shadow, and depth across the surface. This collapses the boundary between image and object, building tactile, layered compositions where earlier imagery remains visible and continues to inform the evolving and pieced together surface.