Handcuffs (2019) is a critique of the brutal arrests of Hong Kong protesters during the 2019 Anti-Extradition Law protests. The yellow handcuffs, symbolizing the detained individuals, are set against a vivid cherry red background, evoking the authoritative power and control of the government behind these actions. The contrasting colors highlight the tension between oppression and resistance, making a powerful visual statement on state-enforced injustice.

Amity Chan is a Washington D.C.-based multimedia artist from Hong Kong. She uses art as a powerful mediator to cultivate relationships and build community. Through her two-dimensional and three-dimensional works—such as painting, printmaking, photography, and sculpture—she educates the public about the complex cultural background of Hong Kong and bridges the gap between the Hong Kong diaspora and local communities.

To learn more:
@emm.axz