Philip Hurtig
Breath On Glass by Philip Hurtig  Image: They appeared with the first notes of Norah Jones. No door, no sound, just two figures swaying in the center of the studio. One suit gently creased, one shoe unpolished, her hand resting at the base of his neck like a promise unspoken.
They didn’t pause. They didn’t pose. I drew them and painted them.
When they vanished, they left behind a curve of connection, caught in the painting. A quiet permanence pulled from passing breath.
Acrylic on panel. One-of-a-kind. For those who still feel what once was.
They appeared with the first notes of Norah Jones. No door, no sound, just two figures swaying in the center of the studio. One suit gently creased, one shoe unpolished, her hand resting at the base of his neck like a promise unspoken. They didn’t pause. They didn’t pose. I drew them and painted them. When they vanished, they left behind a curve of connection, caught in the painting. A quiet permanence pulled from passing breath. Acrylic on panel. One-of-a-kind. For those who still feel what once was.