This final piece of the collection closes with contemplative strength. Two Arabian horses stand in poised symmetry - one prominent, the other gently emerging like a memory folded into script. Their presence is not confrontational but complementary, joined by a shared mane that flows in copper, ivory, and muted black. The lines emulate quilling strokes and calligraphic scrolls, evoking stillness rather than speed.

The artwork’s power lies in its emotional restraint: there is elegance without extravagance, intimacy without intrusion. The muted warmth of the palette - subdued metallics and parchment tones - offers a tactile calm. Negative space is employed with grace, giving air to each curve and silhouette.

The composition reflects stylistic maturity: rather than declare motion, it invites the viewer to observe relation - between figures, lines, and the space between. It is a visual meditation on loyalty, dual strength, and inner quiet. Closing the collection, this piece doesn’t escalate - it distills. It reaffirms the Arabian horse not only as a creature of movement, but of presence and symbolic endurance.