In this site-specific intervention, I cradle a soft sculpture atop a train switch outside La Casa del Domino—a gesture of care against a backdrop of movement, surveillance, and control. "La Casa del Domino" interrupts the narrative flow of colonial infrastructure and forced migration, asking what it means to hold, to return, and to redirect inherited paths. This moment resists the inevitability of the route laid before it—reclaiming softness, memory, and body as tools for revision.