In Marlyn Daggett's I Am a D.J., the three figures dominate the canvas, representing the iconic "See No Evil, Hear No Evil, Speak No Evil" theme, but with an avant-garde twist. The painting’s 8'x6' scale amplifies the impact of these figures, each depicted with striking abstraction and vibrant color fields that shift from somber reds and blacks to bright pinks and yellows.

The figure on the left, blindfolded and shrouded in pale tones of yellow and green, symbolizes "See No Evil." Its posture is rigid, almost translucent, blending into the background as if fading from view. In contrast, the central figure, representing "Speak No Evil," is the most visually provocative, its exposed chest adorned with bold strokes of pink. The face is obscured, leaving the body to speak through gesture and form, challenging the silence the phrase suggests.

The third figure on the right, associated with "Hear No Evil," is muted in darker tones of browns and blacks. This figure wears a skull-like mask, an eerie yet powerful representation of refusal or inability to listen. The disjointed nature of their body and the surrounding shapes creates an unsettling tension, drawing attention to the fractured, imperfect nature of human perception and communication.

Daggett’s expressive brushwork and the juxtaposition of bold lines with fluid, dripped paint evoke a sense of fragmentation and duality. The figures, while grounded in a recognizable theme, are distorted and otherworldly, as if caught between states of being. The vibrant patchwork of the background, with its geometric forms and sweeping curves, hints at a chaotic world beyond the figures, reinforcing the complexity of the human experience.

This painting captures the struggle to see, hear, and speak truth in a fractured reality, where perception and silence are often manipulated or constrained. The eerie balance between abstraction and narrative makes I Am a D.J. a deeply thought-provoking piece, inviting viewers to question their own interactions with the world.