Oracular Vector Experiments – The 9x6 Codex is a standalone transmission within Maria Lankina’s broader oracular vector system, a glyphic canon of hand drawn geometric works created between 2015 and 2020. Drawn with shimmer inks, UV reactive neon pigments, and fine pastel on black Strathmore 400 paper, these drawings form a tight format matrix of intuitive signal making.

The system emerged during a period of lucid waking life practice, shaped by Lankina’s encounter with visualization based consciousness methods that trace back to José Silva’s training work and later popularizations by authors such as Vadim Zeland and Joe Dispenza. What began as a quiet habit on paper, a dot and a line repeated until they become structure, developed into a full language. Each drawing operates as a closed system, built from accumulating triangles and polyhedral clusters that carry a kind of biological echo.

From a distance, many works are read as digital prints. At Red Dot Miami, viewers often assumed the pieces were computer generated until they came close enough to see the slight irregularity of the freehand line. Some glyphs glow under ultraviolet light, others shift only when viewed from the side as metallic inks catch and release the light. Certain drawings hold embedded words or short invocations inside the geometry. A handful are drawn on both sides of the paper. The result is a coded ecology of marks that sits somewhere between writing, coral, consciousness, and memory.

The 9x6 Codex forms a tightly delineated chapter in the archive, yet it is only one dimension of a larger geometric organism. Related bodies of work on 12x9, 18x12, and canvas were developed in parallel, using the same patient vocabulary of dots, lines, and accumulating triangles. Unlike traditional pointillism or symmetrical sacred geometry, these drawings do not translate an existing figurative image into dots or mirror a mandala grid. The artist functions almost as an automaton, listening to something in the ether and allowing the structure to build itself through repetition. Seen together, these series can be read as a single oracular vector language unfolding across multiple scales, each format a different register of the same transmission.