Framed with museum grade glass (MCM Framing)

-
In November of 2023, I embarked on a forty hour journey of self doubt and discoveries. A clean outline in the shape of a giant egg, a few lines on pencil as a general direction for composition. And off it went. It’s pen and ink so theres no room for mistakes, because…there is no “mistake”. Whatever happened on the page, “good” or “bad”, is here to stay. The black lines and white negative spaces are engaging in a dialogue, leaving space for each other to exist. While drawing, I think about “the life” of the line. does it allow a path for other lines to begin and to end? Some people noticed that the lines don’t ever cross…no they don’t. They merge, complete each other, add to one another, into a lace-like pattern. Maybe they are too well-behaved.. but that’s how I like it. All moving together side by side, like a school of fish or a murmuration of starlings (thank you to my dear Margie Criner for the word).

In the drawing you can see a little bit of everything : Jupiter, floral patterns, quartz, cells, lotus roots (apologies to those affected with trypophobia), but also the concept of “crown shyness” in trees, Ebru marbled paper from Turkey, and oil and vinegar, mixing and separating.

The piece is called "To Hug a Friend", it's about what's happening in the brain during a true embrace, in a moment of grief, sorrow and hope. When you dont really know what to say, and whatever you will say won’t feel like enough. But the hug you give will complete the sentence.