The four diptychs approach AI not through direct depiction, but through absence, resonance, and linguistic play. The word fragments “information” and “no/on” function as conceptual hinges: in their combination they point to the ambivalence of knowledge production in the age of artificial intelligence, oscillating between affirmation and negation, presence and absence, control and loss of control.
By focusing on these minimal linguistic shifts, the series addresses the instability of meaning itself. Language becomes a site where expectations and anxieties surrounding AI condense—what we want from it, what we fear it might do, and what remains beyond its reach. The diptychs stage this tension visually, turning the viewer’s attention to the fragility of interpretation and the power dynamics embedded in how knowledge is generated, distributed, and withheld.
The absence of AI imagery is deliberate: instead of representing the technology, the works reflect on its social and cultural implications. They point to AI’s paradoxical condition—shaping reality while remaining largely invisible, integrated into infrastructures and processes that escape direct perception. In this sense, the series highlights the ways in which AI alters not only what we know, but also how we know, how we interpret, and how we imagine the boundaries of knowledge itself.